Word: margaux
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Catherine Deneuve smiles for Chanel, Margaux Hemingway for Babe, and Victoria Fyodorova for Alexandra de Markoff. For the Paris house of Nina Ricci, it's Andréa de Portago. Andréa Who? Not exactly a household name, Andréa, 26, is an aspiring New York actress and the daughter of the 17th Marquis de Portago, the flamboyant Spanish Grand Prix driver killed in 1957 in Italy's Mille Miglia. While doing the disco scene one night at Manhattan's Régine's, she was spotted by Nina Ricci representatives. They excitedly hired...
...Margaux Hemingway was there, and Mikhail Baryshnikov, and Husband Mick and 150 or so other of Bianca Jogger's friends and loved ones. The occasion was her birthday (27 by her count, 32 by others), and Manhattan's Studio 54 discotheque was festooned with balloons and ballasted with artificial snow. A twin-towered, castle-shaped cake awaited Bianca, who pranced around on a white stallion. Said she: "It was the most marvelous party I have ever...
...just don't know," he said with uncharacteristic modesty. "He's 22 and I'm 35 and he's killed hisself training. It's exactly like Rocky. "Or so he hopes. · The young lady from Ketchum, Idaho, is dusting off some old tricks. Margaux Hemingway, 22, is still busy earning her million dollars posing in the snow for Faberge's new Babe commercials. But what she really wants to do is sing and act. At a taping of the Mike Douglas Show last week, to be aired April 28, she crooned...
Watch out, Lauren Hutton and Margaux Hemingway: here comes another high-priced face. Victoria Fyodorova, the Soviet actress who came to the U.S. in 1975 in search of her long-lost American father, retired Rear Admiral Jack Tate, and soon married an airline pilot, has signed a five-year contract to advertise cosmetics put out by Alexandra de Markoff, a division of Lanvin. The company reckoned that her name and chiseled cheekbones fit the de Markoff image. Victoria, who has caught on i quickly to the ways of the consumer society, claims a lifelong interest in cosmetics. "As a child...
...have to the issue of literature generally. One gets the feeling that Lynn did not want to write about Dadalus's topic of adulthood and anxiously strayed into personal idiosyncracies. His essay expands into a kind of literary dumping ground for odd reflections on random groups and individuals: teenagers, Margaux Hemingway, the frontier. When he does attempt to make a point, as in his discussion of the recent film version of The Great Gatsby, he hardly strays from the fold of conventionalwisdom. Of Fitzgerald he asserts, "How many novelists in any age or in any country, can claim to have...