Word: margolin
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Dates: during 1970-1979
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...Thank you for stopping me, or I would have criticized the musical director (David Margolin) also...
...WOMAN AND A BANK Directed by Noel Black Screenplay by Raynold Gideon, Bruce A. Evans and Stuart Margolin...
...rest home, he gets the strong impression that his bosses no longer have any use for him, and indeed we see them running his dossier through the paper shredder and deciding to do something very similar to his person. To compound his difficulties, a rather schizzy young woman (Janet Margolin) has mysteriously taken up residence in his apartment (her story of a mixed-up sublease does not wash awfully well). He is also in receipt of a death threat written in ancient Hebrew-not at all the form in which the Government generally drafts its pink slips...
Still, there is a haunting and finally deadly darkness in the romantic entanglement between Scheider and Margolin. She is driven by a slightly implausible need to revenge wrongs done to her grandmother over half a century before. Even as he falls in love with her, it becomes interestingly possible that he may be the vic tim of her loony side too. Add in those neat acting cameos and Last Embrace is not a total loss. It is just that the movie is not all that it might have been or promised to be. The title implies a certain passionate intensity...
...nicely by Jaleh Poorooshasb), camps and hams through Allen's inspired lunacy. Every new character who walks onstage builds the madness to a higher pitch until the whole stage explodes in a riot of screaming neurotics. Particularly funny among the crowds of people who come on stage are David Margolin and Bonnie Freid as the Fates, Bob and Wendy; the chorus of Rich Buck and Andy Pugh, and Tom Saunders as Lorenzo Miller, who, in a wonderful game-show-host croon, tells the audience that they are only characters in his play. "Not only is he fictional," he says...