Word: margot
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Miss Peterson's brilliant soprano was set off nicely, in an effective bit of casting, by the relaxed lyrical voice of Margot Sproul as Phoebe Meryll, whose demureness gave individuality to a role which the more exciting female parts might well have eclipsed...
...quite sure what all the shouting is about. Says Ed Sullivan, calmly: "Everything they're promising to do is something I've done already." Opera? Ed has presented Metropolitan Soprano Roberta Peters 21 times, oftener than any other performer on his show. Ballet? Moira Shearer, Margot Fonteyn and the Sadler's Wells Ballet troupe made their first U.S. TV appearances with Sullivan (whose show was known as Toast of the Town until last month). Drama? Ed has given his viewers excerpts from more than 50 Broadway hits, including the smash successes Pajama Game, The Member...
...about that point, one night last week, Sadler's Wells Star Margot Fonteyn ceased to be a ballerina and became the bird she intended to portray. The ballet: Firebird, dreamed up in 1910 for Diaghilev's Ballets Russes by the late, style-making Choreographer Michel Fokine and style-shaking Composer Igor Stravinsky...
...real value lay in the steely performance of Margot Fonteyn, whose Firebird was both exciting and chilling. Usually noted for her lyrical grace, Fonteyn this time turned most of the role into a furious, possessed, almost diabolic whirl...
...usual, the epitome of that world was Margot Fonteyn, who again opened the U.S. tour with Sleeping Beauty. She was nimble and fleet, as a princess should be, poised and incredibly effortless as she accepted her suitors' greetings in the arduous Rose adagio, where even the most accomplished technician is apt to teeter unhappily as she stands stock-still on one pointe and accepts a rose from four courtiers, one after the other...