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...night last fall during a performance in Covent Garden, Margot slipped and pulled a tendon in her ankle. With her leg in a cast, she could not dance again for three months, though she was scheduled to open soon in Ashton's Cinderella, which she had rehearsed for six months. It was the first time anyone had even seen her crushed. Unable to endure London without dancing, she went to Paris. Moira Shearer danced Cinderella in her place...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...Noisy Fountain. Three months later, Margot came back from Paris with a new warmth. There were rumors that the girl who had been too busy for marriage had at last found time to fall in love. At any rate, she had had a chance to reflect and to mature...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

Piccadilly by Neon. Even now that she has reached a pinnacle of perfection at 30, Margot is still seriously studious. Even after tough evening performances like Sleeping Beauty or Swan Lake she rarely misses the ritual of morning class, where she stretches at the bar like the other dancers. She is completely unaffected-a quality which helps set the atmosphere backstage. Explains Frederick Ashton: "When the prima ballerina doesn't put on airs, obviously anyone else trying to would only look ludicrous...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...home, she is the kind of girl of whom one friend says: "She could fill Covent Garden every night in the week for a year, but she could walk through Picadilly Circus with a neon light around her head without one person saying, "There goes Margot Fonteyn.' " She has a flat just a block from Covent Garden, filled with period furniture ("mixed") and porcelain cats, spends much of her free time with her mother, a striking, silver-haired woman whom Margot and her friends have nicknamed "The Black Queen...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

Once in a Blue Moon. Among her closest friends are Helpmann, Ashton, Dancer Pamela May, the U.S. Ballet Theatre's Nora Kaye and Les Ballets de Paris' Roland Petit (TIME, Oct. 17). With such people Margot enjoys after-theater suppers or whipping up a home-cooked meal and bringing out some really good wine. One of her extravagances is expensive clothes, but, like most ballerinas, she darns the toes of her own ballet slippers (she brought 40 pairs...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

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