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...fortnight ago a tall, slim, sandy-haired man in street clothes sat on a desk in the wings of Manhattan's Metropolitan Opera House and watched the Sadler's Wells Ballet performance of Apparitions. From time to time, when she wasn't on stage, prima ballerina Margot Fonteyn came over to talk to him. TIME's Chandler Thomas, having sat through five performances of different ballets out front, wanted to see how ballet looked from backstage. He was getting ready for this week's cover story on Miss Fonteyn...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 14, 1949 | 11/14/1949 | See Source »

...close to perfection, and had witnessed the first successful attempt in years to return elegance and the classical spirit to the Western ballet. Both had been brought to the U.S. by England's Sadler's Wells Ballet. With its gifts, Sadler's Wells had also brought Margot Fonteyn, its prima ballerina, a dancer fit to be ranked with the alltime greats...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...Sleeping Beauty. There was one Russian dancer: Violetta Elvin, but she is married to a Briton who brought her out of Moscow after World War II. The two stars with the brightest shine were born in Surrey and Fifeshire: dark-haired Margot Fonteyn (TIME, April 15, 1946) and red-haired Moira (The Red Shoes) Shearer. The leading male dancer, Robert Helpmann, is somewhat of a foreigner-from Australia. Chief Choreographer Frederick (Cinderella, Facade) Ashton was born in Ecuador of British parents. Some of the ballets had unmistakably British subjects, among them The Rake's Progress (De Valois) and Hamlet...

Author: /time Magazine | Title: Music: Ballet in Force | 10/17/1949 | See Source »

...three-hour-long Tchaikovsky-Petipa ballet The Sleeping Beauty. Few could say they had ever seen a more lavish spectacle and dancing grace on a U.S. ballet stage. It took Conductor Constant Lambert a full five minutes to get the music in motion again after the thunderous ovation for Margot Fonteyn and Robert Helpmann's third-act pas de deux...

Author: /time Magazine | Title: Music: Ballet in Force | 10/17/1949 | See Source »

...medieval music as a child. Her famous father used to teach a choral group in lower Manhattan, take Suzanne along to substitute for missing singers. When she went to Germany in 1928 for more study, she visited family friend Physicist Albert Einstein, decided, after hearing Einstein's stepdaughter Margot play the lute, that that...

Author: /time Magazine | Title: Music: Whirlwind at the Lute | 4/18/1949 | See Source »

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