Search Details

Word: marguerita (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
Sort By: most recent first (reverse)


Usage:

...thrill of a new discovery. It was a Faust rejuvenated, lifted well out of the operatic rut, a Faust as true to the spirit of Goethe's poem as to Gounod's music. There was no portly prima donna past her prime to parade as the guileless Marguerita, no heroic stage devil preposterously horned and tailed, no paunchy, heroic Faust singing to the gallery. All that had been discarded. Instead, the curtain went up on one Faust, an aged dissatisfied philosopher with a voice a little pinched, and went down on another, a cavalier Faust, the creation...

Author: /time Magazine | Title: Music: American Opera | 12/26/1927 | See Source »

...artists left the Eastman School, went into business for themselves as the American Opera Company, sponsored by an improvised American Society for Opera in English, Inc. To analyze the elements of so superlative a production is in a way to refute its purpose, its effect. Natalie Hall was the Marguerita. More accurately, the Marguerita was, just incidentally, one Natalie Hall; Mephistopheles was George Fleming Houston; the aged Faust, Patrick Kilkelley; the youthful Faust, Clifford Newdall; Valentin, Raymond Koch. No one of them showed a voice of any great dimensions, but each was vocally adequate and faithful to the tiniest dramatic...

Author: /time Magazine | Title: Music: American Opera | 12/26/1927 | See Source »

Cousin Sonia. Marguerita Sylva has done a variety of things behind the footlights. She is probably best known for her intermittent activities with various opera companies, including the Metropolitan. She turns to straight acting every now and then. She happens to have turned to it now in a conventional farce from France, in which there are husbands and lovers, politeness and indiscretion, wit and a song or two for Mme. Sylva. She plays a bustling relative who hurtles in and carries off the lover for herself. All mildly amusing...

Author: /time Magazine | Title: The Theatre: New Plays: Dec. 21, 1925 | 12/21/1925 | See Source »

Music is the keynote of the bill at Keith's this week. Marguerita Sylva formerly of the Paris Grand Opera Company, leads the program in a repertoire of her own songs, while Mary Haynes, comedienne, offers what proves to be a very popular set of "Exclusive Songs and Stories." The Russian Cathedral Singers, a quartette from the city of Moscow also contribute some well-received vocal selections...

Author: NO WRITER ATTRIBUTED | Title: Musical Offerings Lend at Keith's | 11/17/1920 | See Source »

| 1 | 2 | 3 | 4 | Next