Search Details

Word: maria (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Chemically, the Last Slipper had always been a bad risk. The refectory of Milan's convent church of Santa Maria delle Grazie, where Da Vinci painted the jfresco, was damp to start with. To make matters worse, Da Vinci, the eternal experimenter, invented special tempera pigments for the fresco, and they proved to be less durable than those then commonly in use. Even in Da Vinci's own lifetime the Last Supper had begun to fade, and as early as 1556 Art Historian Vasari complained that it had become "a muddle of blots...

Author: /time Magazine | Title: Art: War Casualty | 12/9/1946 | See Source »

Like practically all cops & robbers diversions, this picture's plot has holes big enough to drive a black maria through. Most obvious hole: the rich Widow Fitzgerald appears much too bright to get herself mixed up with Garfield before checking with the Better Business Bureau. Much of the fresh, exciting look about Nobody Lives Forever comes from its underworld sets: the flyblown bars and diners, noisy juke joints and moldy waterfront piers. Most of its convincing punch is furnished by an excellent supporting rogues' gallery, which includes George Coulouris, Walter Brennan and George Tobias...

Author: /time Magazine | Title: Cinema, Also Showing Nov. 18, 1946 | 11/18/1946 | See Source »

Personal Interest. In The Bronx, a thief held up Sebastian Di Maria, took over $5,000,.locked him in a refrigerator, phoned later to see if he was all right...

Author: /time Magazine | Title: Miscellany, Nov. 11, 1946 | 11/11/1946 | See Source »

Divorced. Margaret ("Peggy") Guggenheim Ernst, 48, uninhibited daughter of the late copper mogul Benjamin Guggenheim, exhibitionist of nonrealistic art; by Maximilian Maria ("Max") Ernst, 55, prizewinning surrealist (Temptation of St. Anthony) ; after five years of marriage (three of separation), no children; in Reno...

Author: /time Magazine | Title: Milestones, Nov. 4, 1946 | 11/4/1946 | See Source »

Poet Rainer Maria Rilke, who was once Rodin's secretary, described what his boss was after: "Rodin assumed that if caught quickly, the simple movements of the model . . . contain the strength of an expression which is not surmised, because one is not wont to follow it with intense and constant attention. By not permitting his eyes to leave the model for an instant, and by allowing his quick and trained hand free play over the drawing paper, Rodin seized an enormous number of never before observed and hitherto unrecorded gestures of which the radiating force of expression was immense...

Author: /time Magazine | Title: Art: Free Play | 10/21/1946 | See Source »

Previous | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | Next