Word: maria
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Dates: during 1970-1979
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...MARRIAGE OF MARIA BRAUN...
...other contemporary director. Who but Fassbinder would shoot a scene from the point of view of a character's ankles, or punctuate a film with shots of telephones? What is more, Fassbinder's idiosyncrasies are more skillfully performed with each film. The opening of The Marriage of Maria Braun is a particular gem: as our eyes take in an Adolf Hitler wall poster, the image explodes to reveal a full-dress wedding in the midst of a bombing attack. From this incongruous tableau, the director moves on to ever higher lunacy. Audiences never know when he will...
...Hollywood director Douglas Sirk (Magnificent Obsession) and the '60s Warhol disciple Paul Morrissey (Flesh). But unlike his predecessors, Fassbinder does not recognize the limits of the form. Camp is fine for movies that want to trade exclusively in offbeat humor and florid emotions. In Maria Braun, Fassbinder makes the serious mistake of try ing to convey ideas...
Without the Core, Maria M. Tatar, professor of German, believes she would never have developed her Core offering, "Weimar Culture," Literature and Arts C-13, although she has wanted to teach such a course for some time. "The Core provided the impetus to go ahead. It somehow legitimized it, gave my idea institutional backing," she says...
Remake Remarque? Yes indeed: a new film version of Erich Maria Remarque's World War I classic, All Quiet on the Western Front, shot in Czechoslovakia, will be aired on CBS in November. In the 1930 production, Lew Ayres starred as the young German soldier named Paul Baumer; today he is played by Richard Thomas, the onetime John Boy of The Waltons. Ernest Borgnine portrays Stanislaus Katczinsky, the Polish veteran who instructs the raw army recruits. Borgnine and the rest of the cast had to take gamma globulin shots to protect themselves against a countrywide epidemic of a hepatic...