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Onstage, Price had none of the fiery, histrionic talent that, say, Maria Callas brought to her art. Instead, she unleashed a voice elemental in its passionate intensity. When Price sang the Forza Leonora's Pace, pace, mio Dio, it was the heartrending plea of a desperate woman begging God for surcease; when she cried O Scarpia, avanti a Dio! at the end of Tosca, it was a chilling curse delivered at the gates of hell. And when she sang Aida's anguished O patria mia, as she did last week, it was a radiant invocation of pathos...

Author: /time Magazine | Title: Music: What Price Glory, Leontyne! | 1/14/1985 | See Source »

...teaching ("Given half an hour of your time and your spirit and a quiet room, I could teach any of you how to play the piano"), composers ("I really don't like Mozart") and pop music ("At her best, Barbra Streisand is probably the greatest singing actress since Maria Callas"). Often technical, and sometimes sycophantic, the book is perhaps best appreciated by Gould aficionados, but it gives an insight into the pianist's eclectic thought processes...

Author: /time Magazine | Title: Music: That Nut's a Genius | 1/7/1985 | See Source »

...members of the cast, who work both individually and as a troupe to keep the audience laughing throughout. As the fool Osino, Gary Armagnac blends just the right amount of wit and wisdom to successfully mock love and the gentrified aristocracy. Jack Aranson (Sir Toby Belch) and Francis Cuka (Maria) also provide the play with some of its most amusing--and bawdy--humor in their defiance of courtly propriety. And by far the most hilarious performance of the evening is Joseph Costa's portrayal of the cantakeorous Malvolio, whose vanity and self-importance trap him into--among other ludicrously comic...

Author: By David B. Pollack, | Title: What A Night | 12/18/1984 | See Source »

...Maria S. de Gosztonyi La Pampa, Argentina

Author: /time Magazine | Title: Letters: Dec. 10, 1984 | 12/10/1984 | See Source »

...Maria Braun), and in the past few years has worked with Jean-Luc Godard (Passion), Ettore Scola (La Nuit de Varennes) and Marco Ferreri (The Story ofPiera). By now Schygulla has perfected the bold gesture deftly applied. The grocery-door shutters snap down, or a window shade snaps up, and a thrill sizzles through her like lightning. In the interrogation room she gets a look at her cuckolded husband and quickly puts her fingers to her eyes, gouging out his presence. Her mouth arcs, her tongue flicks, her eyes blaze, her face is illuminated by the reckless glow...

Author: /time Magazine | Title: Cinema: A Prima Donna of Passion | 11/19/1984 | See Source »

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