Search Details

Word: maria (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...APOLLO 11 THROUGH 20. July's lunar landing is to be only the first of at least ten. Tentatively, three landings are scheduled to follow within a year of the initial touchdown by Apollo 11 astronauts. Lunar modules (LMs) will be set down on two lowland maria, or seas, as well as on two separate highland sites. In Apollo 11, the astronauts will stray no more than 50 ft. away from their craft. Their scientific equipment-called EASEP for "Early Apollo Scientific Experiments Payload"-includes a solar-powered seismometer to check on moonquakes and a mirror to bounce back...

Author: /time Magazine | Title: Science: Is the Moon the Limit for the U.S.? | 5/9/1969 | See Source »

...life as in his art, Constable was a late bloomer. At the age of 33, he fell in love with Maria Ricknell, the 21-year-old granddaughter of a crusty, wealthy Stour Valley rector, who threatened to cut her out of his will if she married the impecunious painter. Prudently, Constable and Maria waited seven years. Finally, in 1816 his father died, leaving him with enough of an inheritance at 40 to marry and support a wife and children (they had seven). Virtually all Constable's greatest paintings were done after his marriage...

Author: /time Magazine | Title: Painting: Caught Moments | 5/9/1969 | See Source »

...Maria died of pulmonary tuberculosis in 1829, and her death utterly shattered Constable. "The face of the world is totally changed for me," he told a friend. He wore mourning for the nine remaining years of his life. To assuage his sorrow, he turned to a sketch that he had made of the ruins of Hadleigh castle, which stood near the mouth of the Thames. In the completed painting, while the ruined castle becomes a monument to Constable's grief, the scudding clouds, the glistening rocks and the sparkling leaves display a fervent commitment to self-renewing life...

Author: /time Magazine | Title: Painting: Caught Moments | 5/9/1969 | See Source »

Diabolical Ping. This fondness for movable sculpture qualified De Maria as a progenitor of the busy school of "Optional art," whose practitioners in vite viewers to play a sort of game by rearranging various objects in a composition to suit their own tastes. Avant-garde collectors began to buy De Ma ria's work. He was soon able to have them made up in steel rather than wood, and the games became more diabolical. His 1965 Instrument for La Monte Young looks like an innocent, slender metal box with a ball in it. But De Maria designed it with...

Author: /time Magazine | Title: Sculpture: High Priest of Danger | 5/2/1969 | See Source »

During the past year, another one of the minischools that De Maria helped to establish underground has emerged in the public eye: earthworks. In the winter of 1961-62, De Maria sketched plans for a pair of mile-long walls, 12 ft. high and 12 ft. apart, to be built "somewhere in the Western United States." Though no collector could afford the $500,000 needed to build it, De Maria and a fellow worker flew out to the Mojave Desert and chalked two half -mile-long lines on its surface. They photographed each other standing, or lying between the oppressively...

Author: /time Magazine | Title: Sculpture: High Priest of Danger | 5/2/1969 | See Source »

Previous | 513 | 514 | 515 | 516 | 517 | 518 | 519 | 520 | 521 | 522 | 523 | 524 | 525 | 526 | 527 | 528 | 529 | 530 | 531 | 532 | 533 | Next