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VERDI: FOUR SACRED PIECES (Angel). Just before he wrote Falstaff at 79, Verdi composed the Ave Maria and Laudi alia Vergine Maria; he finished the Te Deum and Stabat Mater at 83. Together they make a magnificent and devout peroration to the lifework of a man who was a freethinker in his youth. The Te Deum includes a most urgent prayer, and Verdi asked that the music be buried with him. Carlo Maria Giulini leads the Philharmonia Orchestra and Chorus (240 voices) in a stereophonic recording that matches the soaring splendor of the music...

Author: /time Magazine | Title: Television: Jun. 12, 1964 | 6/12/1964 | See Source »

...technocrats has been matched by the appearance of a tough young breed of entrepreneurs. Best-known among them is Eduardo Barreiros, 44, a onetime mechanic who built the nation's biggest automotive company, recently sold 45% of it to Chrysler for $19 million. Onetime Bank Clerk Jose Maria Aristrain, 48, started a scrap-iron business as a sideline, was so successful that he opened foundries, now operates plants that turn out 60,000 tons of steel a year. At 43, Engineer Pedro Duran is the aggressive president of the country's principal ship and locomotive building firm...

Author: /time Magazine | Title: Spain: Closer to Europe | 6/12/1964 | See Source »

...PURITANI (3 LPs; London) is the last and loveliest of Bellini's operas, a story about the Roundheads and the Stuarts in the days of Cromwell incongruously drenched in Italian melody and sunlit harmony. Only singers skilled in bel canto, such as Joan Sutherland and Maria Callas, dare try it. In the new recording, Sutherland is the demented Elvira, and when she sings Vien, diletto in a deluge of perfectly matched and sparkling runs and trills, she embellishes even the embellishments. Maria Callas (on Angel's earlier version of I Puritani) has no such quicksilver in her voice...

Author: /time Magazine | Title: Television: May 29, 1964 | 5/29/1964 | See Source »

HINDEMITH: SYMPHONIC METAMORPHOSES ON THEMES BY CARL MARIA VON WEBER (Wilhelm Furtwängler conducting the Berlin Philharmonic; Deutsche Grammophon). Choreographer George Balanchine composed his Metamorphoses to this music: beetlelike creatures eventually turn into birds. Furtwängler, an early champion of Hindemith, calls upon his own powerful magic to translate the themes into various musical modes, from unsettling nervous buzzings to biting jazz. On the other side, Furtwängler conjures up a more peaceful succession of Metamorphoses, also written in the 1940s, by the 81-year-old Richard Strauss...

Author: /time Magazine | Title: On Broadway: May 15, 1964 | 5/15/1964 | See Source »

...power failed at 12:15 p.m., but there had been time to see Princess Irene become the bride of Prince Hugo Carlos de Borbon y Parma, and fortunately, the Dutch royal family was spared the spectacle outside Rome's Santa Maria Maggiore that looked more like a political rally than wedding festivities. The crowd rang with Carlist-battle cries of "Vivan los reyes!", and students from Spain's Loyola College, in the heart of Carlist country, serenaded the pair with guitars, tambourines and castanets. Irene's father-inlaw, Prince Xavier de Borbon y Parma, as gaunt...

Author: /time Magazine | Title: The Netherlands: TheTroubled Orange Family | 5/8/1964 | See Source »

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