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...dance, but few performances justify that analogy with the grace that this one musters. Miss Cross, who began her career here as a choreographer, has blocked this production like a ballet. Her most apt pupil, David Gullette (Feste) capers and leaps about in endless motion. He and Adrienne Harris (Maria) continually struck just the right pitch of lightness...

Author: By Raymond A. Sokolov jr., | Title: Twelfth Night | 5/18/1962 | See Source »

...democracy. Arturo Frondizi, the deposed constitutional President who gave Peron's still-faithful descamisados (shirtless ones) a place on the ballot, still waits on his prison island in the Rio de la Plata. In the Buenos Aires Presidential Palace sits a puppet President, José Maria Guido, a minor politician who must wait, too-wait for the military men, who fear Peron, to decide what to do. Last week the generals made up their minds, and the result was a further flight of democracy from Argentina...

Author: /time Magazine | Title: Argentina: A Clank of Brass | 5/4/1962 | See Source »

...Maria of Josquin des Pres was considerably better. Elliot Forbes blended the voices with a skill that made Josquin's simple lines shimmer with restrained feeling. When florid melodies did appear, as on the tricky words Nostra Glorificatio, their rhythm and diction were superb...

Author: By William A. Weber, | Title: The Glee Club and Choral Society | 4/30/1962 | See Source »

...Fantasia. Movie Producer Sam Spiegel hired Architect Edward Stone (TIME cover, March 31, 1958) to build a glossy Park Avenue duplex penthouse. With the help of his wife Maria, Stone turned the place into a never-never land of white marble, pink silk, Turkish lamps and other assorted fixtures of Cinemascopic proportions. The sunken marble tub is merely outsize; the master's bed looks roughly like a polo field covered in cardinal red velvet. Like all dedicated cinemagnates, Spiegel has his own home-projection facilities. The wide screen is hidden behind curtains. When he wants...

Author: /time Magazine | Title: The City: Living It Up | 4/13/1962 | See Source »

Last month Maria Scicolone was married to Romano Mussolini, son of Il Duce and now a jazz pianist. "Since Maria has been married in white in church and in the eye of the world, my happiness is nearly complete as a mother." says Romilda. "But never as long as I live will I overcome my hate for Scicolone. Now he comes around trying to be friendly, but we don't want him, and my vendetta was nearly complete when Maria refused to let him come to her wedding. That is poetic justice." Nonetheless, when he comes around, Romilda still...

Author: /time Magazine | Title: Movies Abroad: Much Woman | 4/6/1962 | See Source »

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