Word: mariani
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...Born Yesterday remains remarkably, if depressingly, up to date in its two main themes--corruption and sexism. Harry Brock (Lorenzo Mariani), a nouveau riche junkyard magnate, comes to Washington to "buy himself a senator," bringing in tow his empty-headed mistress, an ex-showgirl named Billie Dawn (Sarah McClusky). Deciding that Billie needs a little polishing up in order to "fit in" with the Washington social scene, Brock hires Paul Verrall (Jerry Colker), an earnest young writer for The New Republic, to be her tutor...
...around a buzzing airplane, establishes Andy Rosann's Bill as the comic of the group-the man who creates the funniest gags, and makes the even funnier gestures. Gradually the rest of the cookout's participants warm up to Bill's level with Cindy Cardon's Pat and Lorenzo Mariani's Howard forming a chilling team of innocence and brutality...
...young ballerina, it was an object lesson in precision and prerogative. Too intent on one of her moves in Giselle at Trieste's Teatro Verdi Opera House, 20-year-old Giovanna Mariani accidentally touched down on the slipper of the ballet's star, Rudolf Nureyev. Instantly, so gracefully that he did not miss a step, the temperamental Russian slapped her full across the face. Giovanna fled in tears but returned after five minutes and finished the performance. Next day she set out to teach Nureyev an object lesson of her own -by filing assault charges against...
...When the festival director, Gian Carlo Menotti, first suggested the idea, Moore was reluctant. After all, for years he had declined Sir Laurence Olivier's entreaties to design a production of King Lear for Britain's National Theater. But then Moore agreed to let Italian Designer Fiorella Mariani adapt settings from his existing works. When he saw the results, he was so pleased that he immediately set to work chipping, modeling and painting the pieces himself. "Marvelous, fascinating," he said. "I never knew the life behind the creation of a spectacle like this...
MICHELANGELO THE PAINTER by Valeria Mariani. 151 pages, 86 color plates. Kimberly Dormann. For properly patriotic Italians, 1964 is the 400th anniversary not of the birth of Shakespeare but of the death of Michelangelo. The resulting commemorative volume, casually displayed on anyone's espresso table, is guaranteed to take the prize this summer-though perhaps only for price ($125) and awkwardness (14 in. by 11 in. by 3 in., weighing 11 Ibs.). The text is learned, dull and clumsily translated. What almost justifies the outrageous price is the color plates, which display every surviving work that Michelangelo painted, including...