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...Salzburg, backdropped by magical mountains, where Austria's great musical festivals were held before the war, and where he first heard Marian Anderson sing, Arturo Toscanini cried: "Yours is a voice such as one hears once in a hundred years...

Author: /time Magazine | Title: Religion: In Egypt Land | 12/30/1946 | See Source »

This religious and esthetic achievement of Negro Americans has found profound expression in Marian Anderson. She is not only the world's greatest contralto and one of the very great voices of all time, she is also a dedicated character, devoutly simple, calm, religious. Manifest in the tranquil architecture of her face is her constant submission to the "Spirit, that dost prefer before all temples the upright heart and pure...

Author: /time Magazine | Title: Religion: In Egypt Land | 12/30/1946 | See Source »

...known facts about Marian Anderson's personal life are few. She was born (in Philadelphia) some 40 years ago (she will not tell her age). Her mother had been a schoolteacher in Virginia. Her father was a coal & ice dealer. There were two younger sisters...

Author: /time Magazine | Title: Religion: In Egypt Land | 12/30/1946 | See Source »

...other nights last week New Yorkers could hear brilliant, brash Lenny Bernstein's New York City Symphony playing the new music that the older conductors ignore. They crowded into recitals by Singers Marian Anderson, Carol Brice and Giuseppe De Luca; concerts by Pianists John Kirkpatrick and Alexander Brailowsky (who in six programs is playing every solo piano piece Chopin wrote). There were folk songs and ballads, American songs by Tom Scott, South African veld songs by Josef Marais, and jive concerts all over the place...

Author: /time Magazine | Title: Capital Feast | 11/25/1946 | See Source »

Nobody seems to care that only three-quarters of the Met's 3,500 seats have a full view of the stage. The Met's hidebound directors have kept out all Negro singers-including Marian Anderson and Paul Robeson. It may not be the Met's fault that opera is a declining art (the last first-rate popular opera was written in 1910), but the Met so far has done nothing to encourage the most promising opera composer of the day, England's young Benjamin (Peter Grimes) Britten (TIME...

Author: /time Magazine | Title: Music: Happy Heroine | 11/11/1946 | See Source »

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