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There is the essence of a very fine interpretation of Macbeth's relation to Lady M. here, but it tends to get trampled underfoot as the play progresses, largely due to lack of clarity in Marianna Houston's over-strident presentation of the queen's role. The returning soldier clasps his wife passionately to him, and we have a fairly good idea how she might be persuasive with him, but too many chances to confirm this in the dialogue are missed. There is a power in such moments as when Macbeth roughly rubs his lady's belly with the words...

Author: By Phil Patton, | Title: 'Snares of Watchful Tyranny' | 12/1/1973 | See Source »

...also has an abiding love of opera, with the works of Verdi and Puccini particular favorites. He and his wife Marianna, 62, have two children, Peter, 22, a student at Seton Hall University law school, and Margaret, 30, wife of Newark Judge Charles A. Stanziale Jr. Rodino served for two years as chairman of the Judiciary Subcommittee on Immigration and Nationality, and has been a staunch proponent of immigration reforms. He has also supported bills that would restrict employment of illegal aliens, who frequently are in competition for jobs with blue-collar workers in his district...

Author: /time Magazine | Title: The Nation: Chairman Rodino at the Center | 11/12/1973 | See Source »

...aren't very aware of that, though; the vehicle is for the women, and the women make it work. In particular Marianna Houston, who plays the lead, Emmeline Pankhurst, holds the story together with a strong voice, excellent stage presence, and a lot of guts. The show's first high coincides with Emmy's self-assertion after her husband's death, when she grabs the women's movement (and the audience) and assumes command. When Richard was alive, she says, he made all the speeches for women's rights; "but now I have to make the speeches. And strangely enough...

Author: By Sallie Gouverneur, | Title: Musical Politics | 3/10/1973 | See Source »

Though I have several reservations about some major characters, the acting is consistently good. Of the toplined trio, Marianna Houston's Natasha is the most achieved; she has the best-written part, and takes advantage of it with the confident sweep of her broadest gestures and the intent restraint of her quiet moments. Christopher Joseph's Rogozhin is often caught between a swagger and a simper, and his rasping voice occasionally cracks, but his part is that of a hard on personified to both sexes, and I can't imagine how else he'd be able to play...

Author: By Michael Sragew, | Title: Idiots | 12/2/1972 | See Source »

...confusion, Gibran's sister Marianna, who lived in Boston until her death last month at 94, sought to win control of the copyrights as each one came due for renewal. In defense of their inheritance, the villagers of Bsharri retained New York Lawyer George Shiya, a Lebanese-American, and Shiya won the long legal battle for them. Then he claimed his agreed-upon fee-25% of all royalties from the renewed copyrights, a sum that could amount to perhaps $1,000,000. At a cost of still more legal fees, the Bsharri villagers fought Shiya...

Author: /time Magazine | Title: The Law: Profits from The Prophet | 5/15/1972 | See Source »

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