Word: marias
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Dates: during 1970-1979
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...Yeah. I'm definitely into movies. They're my next shot. What kind? I dunno. Roger Vadim. I'd do anything. I'd like to do "Redondo Beach" (a poem of two lesbian lovers, one drowns) with Maria Schneider...
Less than seven years ago, Arthur Mitchell was performing with New York City Ballet at Lincoln Center, the first black principal dancer in an American company. His fame grew as he partnered all of Balanchine's great ballerinas, from Maria Tallchief to Suzanne Farrell. Then in April 1968, after the shock of Martin Luther King Jr.'s assassination, he decided that it was time to do something for black people. His first move was to approach the eminent American dance teacher Karel Shook, then ballet master of the Netherlands National Ballet...
...their lives. It forms the genetic code, the inescapable structure, of their work. Constable was one. He was born in Suffolk, where his father owned water mills on the River Stour. He lived a life of blameless bourgeois obscurity, alternating between London and the Suffolk countryside with his wife Maria Bicknell, who bore him seven children. At 45, he wrote to a friend: "The sound of water escaping from Mill dams ... willows, Old rotten Banks, slimy posts, & brickwork. I love such things ... I should paint my own places best-Painting is but another word for feeling. I associate...
Though a few diehards still down tequila the traditional way-straight, with a lick of salt and a wedge of lime-most gringos prefer cocktail variations like the Margarita, made with lime juice and triple sec. Other Aztec ?Oles!: T'n'T (with tonic); Bloody Maria or Mexican Mary (substituting tequila for vodka); Brave Bull (with Kahlua); the Freddy Fudpucker (with orange juice and Galliano); and Cold Gold, a sort of Aztec on the rocks. Tequila will probably never rival bourbon, Scotch, gin or vodka in the U.S. It is additionally appealing in another respect, however. According...
...half the opera are closely modeled on the initiation rites of the Order. Eighteenth century audiences would have instantly recognized the political allusions couched in the story: the feud between the Queen of the Night and the High Priest over possession of the Queen's daughter Pamina symbolised Empress Maria Theresa's religious warfare against democratic Freemasonry, while the people of Austria (Pamina) were putatively caught in the crossfire. The opera describes a spiritual journey from darkness to light; it ends with the initiation of Pamina and her prince, Tamino into the Temple of Isis as they embrace the Masonic...