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Word: marias (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...their nightsticks at random. Among the arrested were a Somerville clerk who was making a bus transfer in the Square when a police van passed by; two students were picked up on Holyoke Street, several blocks from the "riot" in front of the University Theatre, by a passing Black Maria; one student had his nose broken and face lacerated by a policeman attempting to knock a pipe from his mouth...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Gathers Funds for a New Home | 1/24/1973 | See Source »

...most gifted director in the generation after Fellini and Antonioni, and one of the most gifted younger directors on the world scene (see box, page 54). It will also introduce, in the role of the young girl, a striking new performer: France's sensual, baby-faced Maria Schneider, 20, whose blithely amoral charm perfectly expresses the contem porary...

Author: /time Magazine | Title: Self-Portrait of an Angel and Monster | 1/22/1973 | See Source »

...using an actual apartment rather than a set for the scenes between Paul and Jeanne, although he then chose very unrealistic colors and lighting to heighten the atmosphere. He required that the decor be in reds, oranges and flesh tones-"all uterine," in the words of Tango Set Designer Maria Paola Maino. The light that slanted into the rooms was always orange shafts from a low winter sun, contrasting with the cool violet and gray of the streets outside...

Author: /time Magazine | Title: Self-Portrait of an Angel and Monster | 1/22/1973 | See Source »

...River. Bertolucci continues this tradition of paying homage to his mentors: In The Spider's Stratagem, made in 1969, the camera lingers briefly over a poster for Robert Aldrich's Wagnerian western The Last Sunset; in Tango there is a scene aboard a barge, between Maria Schneider and Jean-Pierre Leaud, that is meant to evoke Jean Vigo's classic L'Atalante...

Author: /time Magazine | Title: Show Business: Bertolucci: Choreographer for the Movie Camera | 1/22/1973 | See Source »

...permitted to be supreme. Bergman orchestrates them scrupulously, so that the film is the very definition of flawless ensemble playing. Kari Sylwan, the only one of the quar tet unfamiliar from previous Bergman films, gives Anna a strange, almost mys tical sense of strength. Liv Ullmann's Maria is that rare creation, a vacuous creature of substance. This seeming paradox is one excellent measure of Berg man's talent, and Miss Ullmann...

Author: /time Magazine | Title: Cinema: Four Women | 1/8/1973 | See Source »

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