Word: mariels
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...Mariel Hemingway as Allen's 17-year-old lover suffers the same verbal excess. When Allen tells her he has found another woman, she responds, "We have laughs together. We have good times. Your concerns are my concerns. We have good sex." The curtain of the drama rips to reveal a scriptwriter desperately hanging more significance on the lines than they can handle...
...chemical, mechanized and ideological distractions. Though a few of these were lost in the final cut, it is hard to miss Allen's meaning. He does offer some tentative solutions to the issues he raises. One is contained in the character of the young girl, Tracy, played affectingly by Mariel Hemingway, 17, Papa's granddaughter. She is alarmingly direct and uncomplicated in her statement of love for Davis. His obsession with the age difference between them is something more than a bow to conventional morality; it is a convenient excuse for avoiding commitment. But while all the other characters...
...Woody is at two with nature.") Even now, Allen does not live up to his means. His home is attractive, but not opulent, containing more books and records than anything else. His wardrobe of plaid shirts, jeans and beat-up jackets is the same he wears in his movies. "Mariel Hemingway just saw Annie Hall again and called me up, amazed that I wore the same clothes she sees me in all the time," Allen recalls. "Actually I wear some of the same clothes in both Annie Hall and Manhattan. I'm still wearing a shirt I wore in Play...
Another actress Allen admires is his Manhattan costar, Mariel Hemingway, who is 17. "I wrote the part for her after seeing her in Lipstick and stumbling across her photo in Andy Warhol's Interview magazine. She met with me, and after two minutes I knew she was right. When we were making the film, she always stayed in character when we improvised. Even when I went off in an unexpected direction, she could always go with the scene...
...LIFE of Chris McCormack, fashion model: Chris's young sister (played by Margaux' real sister, Mariel) invites her music teacher Gordon Stuart home to meet Chris. Stuart (played by Chris Sarandon, Al Pacino's haunted, hysterical male wife in Dog Day Afternoon) composes modern music. He comes to Chris's apartment with a cassette of his screeching electronic creations under his arm, moog pieces which he plays for her with the tentative devotion of a supplicant offering a sacrifice to a goddess. She's bored, her attention wanders, she takes a phone call. Tantalized by her public image and enraged...