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Word: marienbad (lookup in dictionary) (lookup stats)
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...lucky chance, Resnais and Robbe-Grillet colaborated on L'Annee Derniere a Marienbad. The novelist suffered from a geometric sense of details, and the director had just the flair for composition to give those beautiful but boring paragraphs visual substance. Perhaps more importants, the author's penchant for ambiguity lent itself perfectly to the director's much-praised deftness with flashbacks...

Author: By Raymond A. Sokolov jr., | Title: Last Year at Marienbad | 9/24/1962 | See Source »

...Hollywood's heavy embrace was forcefully restrained, but there was little mercy in its absence. Here and there, film stars nudged past the line of true mourners to bear their terrible tributes into print. At the mortuary, Marilyn's coiffeur set her bone-white hair in the Marienbad manner while her studio makeup man (another somber volunteer) worked over her. In the words of one mourner, they made her look "like a child in slumber...

Author: /time Magazine | Title: Hollywood: Thrilled with Guilt | 8/17/1962 | See Source »

...second strong point of La Notte is its successful use of the existing technique Alain Resnais tried in Last Year at Marienbad: the cinematic journey into the mind. Watching Lidia (Miss Moreau) look at walls, buildings, people, one senses again that Antonioni is parodying. But because of the reality of his characters, and the fineness of his touch, such scenes are not soporific (as Marienbad was). The technique is no longer experimental: it is controlled...

Author: By Walter L. Goldfrank, | Title: La Notte | 8/13/1962 | See Source »

...moments, thingishness runs to steady repetition of precise, often geometrical descriptions of anything from a razor blade to a banana plantation. U.S. moviegoers have been subjected to the incantatory power of the Robbe-Grillet technique in the off-screen commentary he wrote for the narrator in Last Year at Marienbad (for some it had a soporific monotony). Objects are important to Robbe-Grillet in themselves, but also in relation to people. "A sofa cushion," he has explained, "may not be very exciting. But if you have a man and a woman in love at either end of the sofa...

Author: /time Magazine | Title: Books: The Neo-Realists | 7/20/1962 | See Source »

Last Year at Marienbad. Past, present and future are lumped together, rolled out, and cut into new and confusing pieces in what may be a new milestone-or millstone-in the history of experimental films...

Author: /time Magazine | Title: Cinema, Television, Theater, Books: Jun. 8, 1962 | 6/8/1962 | See Source »

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