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...House dinner last year, when Mikhail Gorbachev was visiting President Reagan, and acquired their autographs for free. "Reagan's is very precise," says DiMaggio, who once had to fight a souvenir collector at his bank to retrieve a check made out by Joe and endorsed by his then wife Marilyn Monroe. "Gorbachev signed it the way a doctor writes a prescription. In my whole life, that's the only time I ever asked anybody to sign a ball...

Author: /time Magazine | Title: Sport: Assembly Line of Dreams | 5/15/1989 | See Source »

...Mellow Madness print up programs which they distribute to patrons at each performance. They also invite special guests to attend showings and to discuss the art of animation. This year, Marv Newland will be on hand for the opening weekend of the Festival (April 21st and 22nd) while Marilyn Zornado of Will Vinton Studios will be bringing some claymation creations to the Festival on April 29th and 30th...

Author: By David L. Greene, | Title: Animation Festival of Fun | 4/21/1989 | See Source »

...Marilyn L. O'Connell, assistant director for urban planning and community affairs, refused to give details on the sale of the 4800 square-foot parking lot bordering Quincy and Leverett Houses, where the University will build affiliated housing. But she said the University paid less than a developer who bought the property...

Author: NO WRITER ATTRIBUTED | Title: Harvard Paid Over $3M For Church Parking Lot | 4/5/1989 | See Source »

...only remaining barrier to University plans for affiliate housing on the site--now the largest undeveloped plot of land in Harvard Square--is clean-up of a "low level" of oil found on the property last summer, said Marilyn L. O'Connell, assistant director for urban planning and community affairs...

Author: NO WRITER ATTRIBUTED | Title: Construction Date Set for St. Paul's Lot | 4/4/1989 | See Source »

...full of regard for discarded things, and about as threatening as sunlight on an old wall; one realizes this was always part of their intent. Even the Italian artists dealing with popular imagery in the early '60s, like Mimmo Rotella, lack the bluntness of their American counterparts. Rotella's Marilyn, 1962, a torn poster "found" and peeled from the wall, is partly about abstract expressionist gesture, partly about the ruin of images by time, and not in the least concerned with the shiny newness Pop art liked...

Author: /time Magazine | Title: Art: Raw Talk, but Cooked Painting | 4/3/1989 | See Source »

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