Word: marilyns
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...shirt-clad group of young men on the stage is evidently rehearsing for a play: they say their lines and listen as the director shouts advice. But there is something odd about this wholesome-looking bunch: they speak in high falsettos, some swing their hips a la Marilyn Monroe, one wears a luxuriant wig of long, flowing curls...
...Phil Mahre and McKinney, the U.S. boasts both overall 1983 World Cup champions in Alpine skiing, an astonishing double in a sport that has been essentially the property of Western Europe. As of four years ago, Marilyn Cochran's giant-slalom title in 1969 constituted the Americans' solitary accomplishment in any of the three World Cup disciplines: slalom, giant slalom and downhill racing. While winning three overall championships since 1980, Mahre has skied away with three individual World Cup titles, and his twin brother Steve is a past world champion in the giant slalom. While both Mahres have begun...
Designed for the National Arts Center of Canada in 1982, the production stars Mezzo Marilyn Home in one of her patented sword-and-breastplate roles. It is scenically spectacular, full of the kind of deus ex machina theatricality that so delighted baroque audiences: dragon-drawn chariots fly through the air belching smoke, monsters writhe, and looming castles collapse in a heap of rubble. Bright and vivid, Rinaldo is a bauble for the eye; as sung by an imposing cast that includes Bass Samuel Ramey and Soprano Benita Valente, it is a treat for the ear. But whether it serves Handel...
...lust, humor and spite. In them, the billowy amplitude of Rubens' flesh is sometimes reborn, along with the sardonic affection Reginald Marsh felt for his Coney Island cuties. But the women of the early '50s are his canonical ones-part archaic Ishtar, part Amsterdam hooker and part Marilyn. Their most menacing attribute is their smile, originally cut from a LIFE magazine ad and stuck on; in Woman and Bicycle, 1952-53, there are two smiles, one where it should be, the other arranged like a necklace of teeth around the throat. With such paintings de Kooning brought...
...love with the girl she has married. But there are sweet and subtle tones to the comedy. In three versions of the song No Wonder, Yentl muses in derision, then in awe, then in sympathy, on Hadass's domestic graces. Composer Michel Legrand and Lyricists Marilyn and Alan Bergman have constructed the score as Yentl's running Talmudic commentary on the genesis of her womanly desires. (That's why Patinkin doesn't sing.) The songs begin in a liturgical mode, heavy on recitative and minor chords. As Yentl enters the real world of passion and deceit...