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...been so flat and matter-of-fact. Warhol presented a row of stenciled Coca-Cola bottles as a work of art, turned out a series of 32 Campbell's soup cans differing only in color and the flavor printed on their labels, silk-screened the same photo of Marilyn Monroe or Liz Taylor over and over. One could find these passive, no-comment images either dumb or threatening, according to taste; and despite Warhol's own efforts to dispel it, a belief grew that somewhere behind his dark glasses a social critic was lurking. This fitted the mood...

Author: /time Magazine | Title: Art: King of the Banal | 8/4/1975 | See Source »

...bisexuality, a condition that made her fall in love with husbands and wives. Like the protagonist in her story A Tree. A Rock. A Cloud, she could say: "Son, I can love anything." Nevertheless, Biographer Carr judges, she preferred women. Her often unrequited infatuations ranged from Isak Dinesen to Marilyn Monroe. "I was born a man," Carson once declared with a peculiar amalgam of imagination and truth...

Author: /time Magazine | Title: Books: Little Precious | 7/21/1975 | See Source »

...seems Elton and Bernie, in their eagerness to sell themselves simple, are probably selling themselves short. Their ballads have often been far more original than their critics have cared to admit. Candle in the Wind, for example, is both a comment on the Marilyn Monroe cult and a tribute to the confused, touching woman who caused it. Rocket Man is a sweet conceit in which the writers conjure up for us what the real-life astronauts never seem to have: the feeling of anxious sadness that must attend exceedingly rapid passage from familiar earth into the dark, cold reaches...

Author: /time Magazine | Title: Elton John Rock's Captain Fantastic | 7/7/1975 | See Source »

Gamy Sexuality. Black claims that there is "a lot of Marilyn Monroe in me," but she disdains the traditional glamorizing process of Hollywood-all the makeup and surgery that can camouflage every flaw. She has capitalized on her defects as well as her virtues. Her image is to look scruffy and a little disassembled. Black brings to all her roles a freewheeling combination of raunch and winsomeness. Sometimes she is kittenish. At other times she has an overripe quality that makes her look like the kind of woman who gets her name tattooed on sailors...

Author: /time Magazine | Title: Show Business: Boom in Black | 6/9/1975 | See Source »

Some 325 members strong, the Met flew to Japan for a three-week visit. The company brought along stars like Joan Sutherland, Marilyn Home, Adriana Maliponte, Luciano Pavarotti, Franco Corelli and John Alexander, and three of the most popular works in its repertory: Puccini's La Bohème, Bizet's Carmen and Verdi's La Traviata. The stand began with Traviata at Tokyo's 4,000-seat NHK (Nippon Hoso Kyokai, or Japan Broadcasting Corp.) Hall. With Soprano Sutherland dying rapturously as Violetta and Tenor Alexander showing a cad's remorse as Alfredo...

Author: /time Magazine | Title: Music: Ongaku by the Met | 6/9/1975 | See Source »

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