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...Queen. played with amusing coquetry by Marilyn Ann Carington, conveys an air of nuanced gentility, not without redemptive power in Genet's scheme of values. She is the world-weary purveyor of artifice-a figure "half mythological and half conventional" like Mme, de Vionnet in The Ambassadors. Beneath her polished regality lurks desire for total capitulation to the revitalizing force which the Blacks as revolutionaries represent...

Author: By James M. Lewis, | Title: The Theatregoer The Blacks | 2/5/1970 | See Source »

...first week will probably open with Aïda and Leontyne Price, and there are plans for brand-new productions by Franco Zeffirelli of Cavalleria Rusticana and Pagliacci, along with Renata Tebaldi's Tosca and a so-far-uncast La Traviata. Thereafter, apparently, except for Joan Sutherland and Marilyn Home in a new Norma, the 16 offerings will be familiar...

Author: /time Magazine | Title: Music: Singing Is Believing | 12/12/1969 | See Source »

...during and familiarity appeals instantly but the particular interest of Pop lies in social criticism. The works at the Metropolitan provide a dose including Old??nberg's giant pool balls. Lichtensten's cartoons, Warhol's Marilyn Monroe, Pop lets the viewer share the satisfied superiority of mocking America and its many brands of soup...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

...addition to the work of an active God, members attribute the revival to present chaos in society. "There are a lot of mixed-up people," said Marilyn Button, head of the Jackson fellowship. "Christ brings all the areas of your life into order...

Author: NO WRITER ATTRIBUTED | Title: Will Jesus Save Harvard? | 11/25/1969 | See Source »

...Marilyn Monroe's performance in Some Like It Hot is particularly worth a revisit, for she is the ultimate Wilder victim. During the film she is constantly being manipulated and that upon. While her role takes on a special kind of poignance in the light of the disastrous end of her analogous personal life, the part is also important for showing Wilder's ultimate sympathy for the genuine and vulnerable individuals preyed scheming mass...

Author: By Frank Rich, | Title: The Moviegoer Billy Wilder at the Orson Welles through Tuesday | 11/21/1969 | See Source »

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