Word: mariner
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Dates: during 1930-1939
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...British Parliament having sat, argued, debated and voted continuously since the war's outbreak with no noticeable hindrance to the military, the French Chamber of Deputies could see no reason why it should shut up shop. Rightist Louis Marin got a big hand when he insisted that Parliament, far from obstructing the Government, would be a wartime help. M. Blum disavowed politics, but refused to "accept the text of a law that would transfer totalitarian powers" to the Government. The Chamber tried to argue M. Daladier into submitting all decrees to Parliament within a month of issuance. The Premier...
...swell his income to around $100,000 a year, to potter around his estate at "Chartwell," where he relaxes by putting up small brick buildings-he once belonged to a bricklayers' union-to play a little polo, paint tolerable landscapes which he exhibited under the name of "Charles Marin," and to organize a group of some 30 Tory M.P.s who challenged Prime Minister Chamberlain's foreign policy...
...started when envious French fisherfolk noting that perfidious Britons had built a stone shelter on one of the Minquiers, while law-abiding Frenchmen had none, raised 20,000 francs by public subscription to build one. Led by Yachtsman-Painter "Marin-Marie" (Durand le Couppel de Saint-Front, who in 1936 took a 40-foot motorboat from Manhattan to Cherbourg), 40 Breton fishermen landed on Maitresse, began building...
...Britain's eyes are everywhere. The Foreign Office protested. Hurriedly France sent seaplanes which dropped orders to desist. Painter Marin-Marie and 40 Breton fishermen took their defeat in good part, drank a glass of champagne, sang the Marseillaise, desisted...
This exhibit, necessarily incomplete, is more than adequate, however. In it we can follow sketchily the general development of watercolor painting in our country, see work by Marin and Hopper, perhaps the two most outstanding contemporary artists in America, and also see that true art involves something more than the skillful manipulation of a brush. The collection serves as a fitting close to an unusually fertile season for the museum which has presented during the past year exhibits of etchings, watercolors, and oils taken from almost every important period in the history of art. it is to be regretted that...