Word: marios
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Dates: during 1970-1979
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...spending 13 per cent of its time propagandizing for world peace," the Charities' chairman explained. And 200 students showed up at a Harvard rally in solidarity with Berkeley's embattled Free Speech Movement, to hear Arthur MacEwan (then just a former University of Chicago student president) and later Mario Savio himself, expounding a view of the Movement like one that would become increasingly familiar at Harvard--of a struggle of the "managed" against "a managerial tyranny...a knowledge factory...plugged into the military and industrial--but not to truth...
...Indochina war just kept on getting bigger, and to increasing numbers of students it seemed to provide blatant, explosive proof that there might be some truth to analyses like Barrington Moore's or Mario Savio's--that Savio's "managerial tyranny" with little interest in truth or anything else worth respecting was trying to manage their lives, and generally succeeding. SDS, continuing its block-by-block organizing around local issues in Roxbury and North Harvard but increasingly returning to its predecessor Tocsin's roots in antiwar organizing, doubled its 100 members in the fall...
...John and Mario Thomas as by his statesmanship, insist on being briefed by no one else. In Cairo he is referred to as "the American magician." Taxi drivers reverently point out to tourists the streets along which he has traveled, and when the car hits a pothole the cry is, "Where's Kissinger...
Last March Wetzel entered his first lap race, the Italian 1000 Kilometers of Vallelunga. Drivers in the field included Mario Andretti...
...Organizer (1961), showing at the Brattle, Marcello Mastroianni is a different man: leading a worker's rebellion. The Organizer may be his best film. Certainly director Mario Monicelli has put together one of the best films about a labor movement, carefully drawing his characters; building up suspense as the workers begin to organize; moving, with precise editing, to a gloomy yet somehow very inspiring ending. Set in Turin in the late 19th century, this film has a photographic restraint which keeps it from preaching. Monicelli never overdoes a scene. He presents striking scenery, for example, in a mature...