Word: marisa
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Dates: during 1990-1999
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...wait, we talk to Marisa, who we learn is studying English; she wants to get into tourism. She is married to an American, a photographer from Los Angeles. She was just coming back from Havana, as a matter of fact, where she was seeing him off at the airport...
...boom, Esteban pops the clutch and the Subaru whinnies and I get in while it's moving and we're off, Esteban at the wheel. Like a getaway car! In a minute Esteban's doing 80 m.p.h. He's veering on and off the road. "ˇFlojo! ˇFlojo!" Marisa is saying, urging him to slow down, but young Esteban has something to prove to her and to T/N, so 80 it is, the engine hitting high notes with full vibrato...
...course. They want to siphon from our tank. They have an actual siphon right there. We don't have enough, we say, noticing that we're almost out ourselves. We'll take them to the next town. Another man, Esteban, about 19, gets in the back seat, as does Marisa, 24, petite, in silk blouse and black jeans. They hold the gas container on their laps. It's 15 minutes to tiny-town Roda and its one-pump gas station...
...Marisa N. Echeverria '00, who directed this month's production of HMS Pinafore, spent the summer as an intern in Prince's Rockefeller Center office...
...almost half of the performing space is reduced with the ship's quarter deck, the outcome is a cluttered stage. In crossing the ship, the sailors must take great pains to avoid the females' hoopskirts (their costumes are appropriately gaudy, but slightly oversized for the space allowed). Accordingly, director Marisa Echeverria's '00 choreography is fairly simplistic, an acquiescence to the space limitations, as she appropriately chooses to focus more on the production's musical aspects rather than maintain lofty production values...