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...Dinah, the acting! Ryan O'Neal proves three things: first, only one O'Neal can act and her name starts with a T; second, looking pretty is not reserved for leading ladies; and finally O'Neal couldn't act his way out of a paper bag. Ollie Barrett lives. Marisa Berenson has four lines in the movie. No more need be said. The supporting actors are excellent, Leon Vitali stealing the show with a arch portrayal of O'Neal's step-son Lord Bullingdon, and Murray Melvin providing a pale and fading Reverend Runt...

Author: By Paul K. Rowe, | Title: THE SCREEN | 1/15/1976 | See Source »

...Sure Marisa Berenson has a pretty face, but why run her as an "overbred, vacuous, giggly and lazy" cover subject [Dec. 15] when the true fanfare belongs to Stanley Kubrick, the most innovative person to touch motion pictures since Thomas A. Edison...

Author: /time Magazine | Title: Forum, Jan. 5, 1976 | 1/5/1976 | See Source »

...Stanley Kubrick's new film Barry Lyndon where I play Marisa Berenson's son, Lord Bullingdon. I was very upset when I saw my picture in TIME with Marisa with another boy's name there. I am so disappointed because it is such a beautiful picture...

Author: /time Magazine | Title: Forum, Jan. 5, 1976 | 1/5/1976 | See Source »

...Marisa Berenson wore translucent chiffon, Lee Radziwill wore pleated red silk, and Naomi Sims wore a white dress with tightly wrapped top. But even their clothes were no match for some of the costumes in "American Women in Style," the new show that opened at the Metropolitan Museum of Art's Costume Institute last week. The main attractions of the exhibit, organized by Diana Vreeland, were the eloquently unfettered wardrobes of two great dancers. Isadora Duncan, a free-spirited sensation of La Belle Epoque, considered herself built along the lines of the Venus de Milo and often performed...

Author: /time Magazine | Title: People, Dec. 22, 1975 | 12/22/1975 | See Source »

...scene. Modeling gave her self-confidence, and acting "is a vent for my fantasies." Last week in Manhattan, cuddling her Shih Tzu, K.K. (short for King Kong), she reminisced about her most notable fantasy to date, Lady Lyndon. Done up like a portrait by Gainsborough, Marisa seems the model of 18th century English womanhood, even to the torrents of tears Lady Lyndon sheds at her son's death. "I could do nothing else but cry, looking at that sweet boy-I am quite good at crying," says Marisa. "Once I start...

Author: /time Magazine | Title: Cinema: Girl from a Private World | 12/15/1975 | See Source »

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