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While Morrow hammered away at his typewriter, Artist Marisol hammered away at the cover sculpture. Working from photographs, she spent ten days in her Manhattan loft chiseling the Nixon-Kissinger visages into her mind, then onto a carefully selected 135-lb. piece of pink marble (photographed in turn by Robert Crandall for TIME's cover). Those who have advocated a cover of a different shape, whether of a football coach or a militant feminist, must rest content until next year...

Author: /time Magazine | Title: A Letter From The Publisher, Jan. 1, 1973 | 1/1/1973 | See Source »

...drawing, photography, sculpture, woodcut, collage, even needlepoint. The prominent contributors over the decades include Painters Pietro Annigoni, Boris Artzybasheff, Boris Chaliapin, Dong Kingman, Henry Koerner, Peter Max, Andy Warhol, Grant Wood and Andrew Wyeth; Cartoonists Herblock, Bill Mauldin, Patrick Oliphant, Charles Schulz and James Thurber; Sculptors Robert Berks and Marisol. Among the hosts of the Los Angeles exhibit will be Glessmann and Associate Publisher Ralph Davidson...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 11, 1971 | 10/11/1971 | See Source »

...symbolism intended, says Sculptor Marisol. It's just there for balance...

Author: /time Magazine | Title: Letters, Jan. 18, 1971 | 1/18/1971 | See Source »

...geographic limitation, and focused on what he sees as the central figures in the international modernist tradition. Given this definition, however, it is hard to see why he left out such major artists as Naum Gabo, Louise Nevelson, Sam Francis, Mark Tobey, William Baziotes, Richard Lindner, Larry Rivers, Marisol and Lee Bontecou. Even so, with 406 works by 43 artists, Geldzahler has assembled the most exhaustive survey ever of the period...

Author: /time Magazine | Title: Art: From the Brink, Something Grand | 10/24/1969 | See Source »

...looks like something out of an early Happening. Or an Andy Warhol movie. Or one of those puckish pop art pieces of George Segal or Marisol. As a matter of fact, Henry Geldzahler can claim all that and more. He first came into public view-a quasi-somnambulant rotundity in prison stripes afloat in a rubber raft-in an Oldenburg Happening mounted in the swimming pool of a Manhattan health club. Next came instant stardom before a Warhol camera. His role: smoking a cigar for an interminable hour and a half. "I have a certain unusual look," says Henry...

Author: /time Magazine | Title: Art: Dictator Or Fantasy? | 10/24/1969 | See Source »

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