Word: marius
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...prescription flies in the face of traditional psychiatry, which prefers that patients take antipsychotic medication and ignore their voices, and warns that acknowledging them intensifies hallucinations. But according to Dr. Marius Romme, a psychiatrist and former professor at the University of Maastricht in the Netherlands, "Accepting voices is the one precondition to start the process of recovery." He argues that the mind uses this internal chatter to alert people to unresolved trauma: studies by Romme and others estimate that 50% of cases have experienced some form of abuse, and their voices tend to take on characteristics of their tormentors...
...instruction was added to the concentration. Few resources were dedicated to the program, which was only offered to English concentrators and admitted fewer than 20 percent of applicants.Even after the advent of Option III, doubt about the merits of creative writing lingered. In 1979, Director of Expository Writing Richard Marius cancelled the only fiction offering, Expository Writing 13, even though it was the most popular section. He was concerned that fiction courses failed to teach students how to write expository prose. Although the decision was met with outrage by many students and even some Expository Writing preceptors, the course...
...hails from the small agricultural town of Morenhoven, Germany, and is the child of a broken marriage. His paternal grandparents have died, but he has a second set of maternal grandparents, courtesy of his dad Dieter's second wife Astrid. That marriage has also produced twin half brothers, Marius and Daniel, aged 5, while his biological mother Eva has gone on to have a daughter, Anna, 7, with a new partner. Felix lives with his father but spends most weekends and holidays with his mother. His father puts a positive spin on the situation. Felix now has regular contact with...
...vibrant performance. Two pieces from “Don Quixote” followed: “The Dream Scene” and “Kitri Variation.” The group in “The Dream Scene” gave a mostly clean performance in this difficult Marius Petipa-based choreography by Rudolf Nureyev. Both soloists, Jennifer S. Love ’09 and Quadrat, were impressive—complementing each other with grace and technical merit. In the “Kitri Variation,” Kate M. Funderburk ’07 gave an impressive performance...
...Spanish,” choreographed by Kathryn M. Funderburk ’07, danced with true flair, whipping their black fans and tiered skirts.Katherine L. Penner ’07 was beautiful as the Sugar Plum Fairy. With excellent line and form, her performance of the famous Marius Petipa choreography was truly a pleasure to watch. As usual, the lighting and costumes complemented the mood of each piece. However, on a minor note, HBC may want to invest in white and light pink leotards that are double lined.Overall, HBC delivered a well-received performance. It is not only purists...