Word: marked
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Dates: during 1970-1979
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DARTMOUTH at BROWN--No question, the biggest game in the Ivies, with the winner being assured of at least a tie for the title. A battle of offenses, with Mark Whipple edging out Buddy Teevens as he did Larry Brown last week. BROWN 35, DARTMOUTH...
...remains a contradictory figure in many ways. One minute she gleefully strokes her copy of The Bright Lights, reveling in the achievement it represents; the next, she is tough and self-deprecating: "Everyone has a book to write." Her attitude toward her craft and her career mark her as a seasoned, matured performer, yet the enthusiasm, the crazy optimism of the naive neophyte surface constantly. By turns exuberant and restrained, she is sentimental and selfless at the same time. And a new one-word impression forms in the interviewer's mind: enigmatic...
...Close to Call New Jersey Bill Bradley (D) New Mexico Not Yet Reported Pete V. Domenici (R) New York Hugh L. Carey (D) North Carolina Jesse A. Helms (R) North Dakota Ohio Too Close to Call Oklahoma George Nigh (D) David L. Boren (D) Oregon Victor Atiyeh (R) Mark O. Hatfield (R) Pennsylvania Richard Thornburgh (R) Rhode Island J. Joseph Garrahy (D) Claiborne Pell (D) South Carolina Richard W. Riley (D) Strom Thurmond (R) South Dakota William J. Janklow (R) Larry Pressler (R) Tennessee Lamar Alexander (R) Howard H. Baker Jr. (R) Texas Too Close to Call Too Close...
...passage of Question One places White in a strong position for reelection next November. "I think its going to help the mayor," Mark B. Helm '78, a speech-writer for White, said at the victory party yesterday. "He had a lot riding on it and it looks like he's won big on this one," he added...
Last week the largest retrospective of Mark Rothko's paintings went on view in Manhattan. Organized by Art Historian Diane Waldman for the Guggenheim Museum, it will travel later to Houston, Minneapolis and Los Angeles. It consists of almost 200 paintings, spanning a career of more than 40 years. They run from his first tentative exercises in the manner of Milton Avery, his mentor, whose soft, vibrating patches of color had an indelible effect on Rothko; thence to the curious, stilted subway scenes of the 1930s, and to the totemic abstracts of vaguely identifiable figures-in-landscape which were...