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Before 2009, that would have been pretty easy. Though Bullock was part of the ensemble cast of Crash, which won a Best Picture Oscar in 2006, even she seemed content to have a career marked as a box-office champion, screen comedienne and shrewd producer of such hits as Miss...

Author: /time Magazine | Title: Sandra Bullock's Wild Ride, and (Once) Improbable Oscar Coronation | 3/8/2010 | See Source »

But like so many aspects of modern life, the red carpet industry away from Oscar Sunday is struggling to find its niche in a changing world marked by media fragmentation and oversaturation. Once an iconic symbol, the carpet has lost several shades of its crimson hue in a town that...

Author: /time Magazine | Title: The Red Carpet: Minefield for Celebrities | 3/7/2010 | See Source »

It is precisely because such marked differences in sentiment would have to be overcome that even bailing out Greece (or any other eurozone member) with eurozone money would be more than just the small step toward centralized fiscal policy that it may appear to be. It would also be a...

Author: By The Crimson Staff | Title: From Brussels with Love? | 3/4/2010 | See Source »

In a similar fashion, “Here Today, Gone Tomorrow,” marks the band’s sole instance of musical experimentation. In a departure from the soft rock which defines much of the rest of the album, this track is marked by a heavier bass line...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Lifehouse | 3/2/2010 | See Source »

Overall, “Smoke & Mirrors” is marked largely by a rinse, wash, repeat cycle of music with very limited tonal shifts, alteration in subject matter, or attempts at breaking the band’s music-writing norm. Taken individually, the songs are largely appealing and easy to...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Lifehouse | 3/2/2010 | See Source »

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