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Married. Hedy Lamarr (real name: Hedy Kiesler Mandl), 24, sultry Viennese cinemactress (Extase, Algiers'); and Gene Markey, 43, cinema producer; both for the second time; in Mexicali, Lower Calif...

Author: /time Magazine | Title: Milestones, Mar. 13, 1939 | 3/13/1939 | See Source »

...certain slaughter. When Old Boots ignored the volleys of the hillmen to stalk up alone for a confab, the Khan changed his mind about the slaughter. Wee Willie Winkie is a craftsman's picture which is also, surpassingly, an audience's picture. To able Associate Producer Gene Markey goes credit for seeing how the suggestions implicit in the Kipling fragment could be nursed into an epic; to able Director John Ford (The Informer), responsibility for the picture's pace, its sustained adventurous mood, its accumulation of memorable physical details; to Actors C. Aubrey Smith and Victor McLaglen...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 19, 1937 | 7/19/1937 | See Source »

Gaumont-British stoutly maintains that Love in Exile was adapted from Gene Markey's story His Majesty's Pyjamas, was made long before the producers heard of Mrs. Simpson. Aside from its topical interest, it is merely a mediocre melodrama...

Author: /time Magazine | Title: The New Pictures: Dec. 21, 1936 | 12/21/1936 | See Source »

...thing the trade knew, Rube Goldberg was working up a new feature whose principal character, a fat female clown, was christened Lala Palooza after consultation with Yale's Pundit William Lyon Phelps. By last week, with 75 papers signed up* by a new syndicate headed by Frank Jay Markey, it was evident that editors expected from the new Goldbergian feature the old Goldbergian...

Author: /time Magazine | Title: The Press: Lala Palooz | 11/9/1936 | See Source »

Girls' Dormitory (Twentieth Century-Fox). Although Herbert Marshall and Ruth Chatterton are billed above her, Simone Simon is the star of this picture. Producer Darryl Zanuck designed it expressly to provide a vehicle for her U. S. debut, and Screenwriter Gene Markey and Director Irving Cummings have intelligently fitted the material to her talents. As Marie Claudel, an undergraduate in a European seminary, she loves Stephen Dominik (Herbert Marshall), the head of the school. When a romantic, unsigned letter in her handwriting, addressed "My One and Only Love . . ." is fished out of a classroom wastebasket by an invidious...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 24, 1936 | 8/24/1936 | See Source »

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