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...However, the performance made up of Tchaikowsky's classical "Swan Lake," Schoenberg's ultra-modern "Pillar of Fire," and Offenbach's breathless extravaganza "Bluebeard" would be a top-notch attraction any time. And when you add to this the glitter and glamour of the Opera House crowd and stars Markova, Baronova, the evening should be a memorable experience...

Author: By L. M. W., | Title: PLAYGOER | 10/15/1942 | See Source »

Bluebeard had three glittering stars: bouncingly glamorous Irina Baronova; svelte, feathery Alicia Markova (born...

Author: /time Magazine | Title: Music: New Ballet in Manhattan | 11/24/1941 | See Source »

Ballet Theatre. In its Chicago and Manhattan runs this outfit raised high hopes, but its policies did not suit its backer, Lucia Chase, herself a rich widow, an ambitious dancer. She turned the works over to Hurok, who put in two of his glamor girls (Irina Baronova, Alicia Markova), a new director, conductor and choreographers, all trained in the Russian tradition. When the Ballet Theatre opens in Manhattan next month, its fine U.S. ballet, Billy the Kid, will be missing. Eugene Loring, who designed and danced in Billy, has left the Ballet Theatre. So has its beauteous Texas ballerina, Nana...

Author: /time Magazine | Title: Music: On the Toes | 10/20/1941 | See Source »

...Colonel de Basil, had opened in Manhattan, had now begun a 22-week tour of the U. S. The Massine ballet lacked pretty young stars and its ensemble would not make the Rockettes jealous, but it had two of the world's best ballerinas: dark, svelte British Alicia Markova, who excels in classic ballets like Giselle and Swan Lake, and dark, vivacious Alexandra Danilova, who was in the old Diaghilev company, Danilova -once married to Massine's rival choreographer Georges Balanchine-dances with a gaiety and precision which belie the fact that, in her late...

Author: /time Magazine | Title: Music: On Their Toes | 11/25/1940 | See Source »

...still choreographer, still danced with his wonted spirit. But of the Ballet's four familiar prima ballerinas-Tatiana Riabouchinska, Irina Baronova, Alexandra Danilova and Tamara Toumanova-the first two were missing. In their places were two newly acquired slim-limbed bids for U.S. favor: diminutive, British-born Alicia Markova (Alice Marks), and Nini Theilade (pronounced Tay-lah'-de), an exotic, Javanese-born tripper of mixed Danish, Polish, German and Hindu extraction...

Author: /time Magazine | Title: Music: Ballet Russe | 10/24/1938 | See Source »

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