Word: marler
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This wry caveat in the program for # was an early signpost to inscrutability. The script, written by Tim Yu and J. Eric Marler, was many things--arch, hip, synthetic, cruel--but it was not easy to follow...
...into a fumbling account of the scores of #'s literary references. Some of these references are disjunct and capricious, but the best, like the Interlude of scene five, are masterpieces of intertextuality without being "coterie items. "Rising from trash cans borrowed from Beckett, Ezra Pound (Yu) and T.S. Eliot (Marler) offer up literature. In a later scene, Pound, with Robert Lowell, reflects that he "began with swollen head, and ended with swollen feet...
...emergence of Yu and Marler as themselves in the Cafe scene, which, since it veers down into meta-self-referentiality, might have been disgusting. They discuss the writing of # as well as other "weighty," matters, including all the "L.B."s (read:lbs.) in REM's "It's the End of End of the World As We Know...
...Jorge Rodriguez and Ray Courtney, scene eleven), which came close to coherence. Another wacky moment in the that-almost-made-sense category was scene ten, "It Saw Charles Bernstein Suspended in a Shimmering Column of Light." Not only does this allow for surefire alien-abduction topos, but it gives Marler a chance to shine as he who laments the paucity of men who "can tell a parastatis from a syntagma...
...should not be watched and internalized of the selection presented each season. This spring, TheaterWatch was solicited for the following suggestions. Hello, I am TheaterWatch. This season, look forward to pressing the # key. Hee-hee. That's right. The spring shall bring #, a play co-written by J. Eric Marler (GSAS) whom we once saw wowing audiences from his desk at the pit of the valley created by stacked rafters in Leverett Old Library. Wry, clever, fresh humor and a ruthlessly deadpan delivery marked Posthumous Improvisations, his one-man show of trials and tribs. Will # live up to this? Stay...