Word: marlis
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Lara has his own explanation for the way his love lyrics catch on. "In all my compositions," he says, "there is always a certain woman synthesized." Many of the women who have inspired his lyrics are unknown, but movie actress María Félix, second of his three wives, is the inspiration of some of his most popular...
...Lara met María in 1945, when he attended a studio party for the then unknown young actress who had just gotten rave notices for her first big picture. María Félix invited Lara to a party next night at her apartment. She apologized for not having a piano, and asked him to bring a guitarist along. Instead, Lara sent a baby grand with the note: "To the incomparable María Félix from her admirer, Agustin Lara." They were married soon after. Every Mexican knows how Lara's famous Mar...
Friends say Lara, though he is now married to a 19-year-old chorus girl named Clara Martínez, still worships María. Last week, while he was playing and singing at Mexico City's Capri nightclub, Diego and Frida Rivera entered with María Félix, were ushered to a ringside table. Lara stopped the song he was singing, switched to Palabras de Mujer...
Then energetic Conductor Norman Del Mar bounced into the tiny pit for some rehearsing. Explaining how to count time and watch his baton for cues, he put the audience through four songs, three to be sung in turn before the opera's three scenes and a finale to be bellowed out with the opera's cast (one-third professional, two-thirds schoolchildren). That done, intermission was announced; in their growing enthusiasm, most of the audience did not even realize that Let's Make an Opera!, otherwise known as The Little Sweep, was already half over...
...perfect. For one thing, Oscar Hammerstein II has succumbed to a fit of moralizing for a few minutes in the second act, and although it is only a passing fit, one that is practically flippant compared with the attack that laid "Allegro" low, it is nonetheless a blotch, a mar, a flaw. And the song that does most of the moralizing, called "You've Got To Be Taught"--the full line is "You've got to be taught to hate"--is as unnecessary as it is didactic. It simply repeats in italics an idea that has already been made...