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Word: marlon (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...language star." Critics compared the 34-year-old author to Faulkner, Hemingway, Chekov and Camus. The big time -- and Tinseltown -- beckoned. McGuane became a celluloid hotshot, penning scripts for Rancho Deluxe and Tom Horn among other movies. In exchange for writing 1976's The Missouri Breaks, which starred Marlon Brando and Jack Nicholson, he was given the chance to direct the screen version of Ninety...

Author: /time Magazine | Title: TOM MCGUANE: He's Left No Stone Unturned | 12/25/1989 | See Source »

Bewildered by the deaths Sutherland who teaches Afrikaaner history to schoolboys, begins looking into the incidents. Soon convinced the two were murdered by the South African secret police, he seeks help from a liberal lawyer named Ian McKenzie played by Marlon Brando. (Yes Brando...

Author: By Kit Troyer, | Title: Shooting Black and White | 9/29/1989 | See Source »

...entirely isolated in his struggle. His young son stands by him. So do a scrappy journalist (Susan Sarandon in an underdeveloped role) and a weary, canny lawyer, played by Marlon Brando. In his first movie role in eight years, Brando is shockingly bloated in appearance, but his full authority as an actor is mobilized by a part in which he obviously believes (he was paid union scale...

Author: /time Magazine | Title: Cinema: The Bland Face of State Terror | 9/25/1989 | See Source »

Trying to knock down that so-called wisdom, Wheeler listed 92 actors and actresses -- everyone from Marlon Brando to Robert Redford, Jane Alexander to Susannah York -- who have portrayed homosexuals or lesbians and lived to tell about it. He might just as well have saved his money. Not only did his ad fail to produce a star, but Jon Pennell, the young actor who had been signed as the coach's lover, withdrew, deciding that he did not want the role...

Author: /time Magazine | Title: Show Business: A Reluctance to Play | 7/4/1988 | See Source »

...self-publicizing. Capote talked endlessly about "the difference between very good writing and true art" and left no doubt which he was serving up. To a considerable extent he was taken at his own estimation, though a large part of his writing (his 1957 New Yorker portrait of Marlon Brando is an overpraised example) was nothing more than good, smooth journalism. His pretense that the powerful and meticulously written In Cold Blood was something to be called a nonfiction novel demeaned both forms...

Author: /time Magazine | Title: Books: The Troubles of the Tiny Terror CAPOTE: A BIOGRAPHY | 5/30/1988 | See Source »

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