Word: marlon
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...intelligent in print. In these comic essays (most from the New Yorker), the voice is often that of the old stand-up Steve: a fellow less cool, less together--and thus funnier--than he thinks he is. Martin takes inspiration from prescription bottles, the Schrodinger's cat paradox and Marlon Brando on Larry King Live. The little gems come at a hefty price--87[cents] each ($1.17 in Canada!)--but are worth it for their expectation-defying musings on philosophers, paparazzi and the word underpants. This is high-wire humor, as pure as the drivel snow...
...singer's coloratura vanished as soon as the performer walked into the wings, and could only be remembered, described, perhaps glimpsed in a third- or fourth-hand imitation. Now recordings, film and videotape form a permanent database of old-time show biz. A young actor can summon up Marlon Brando's performance in A Streetcar Named Desire instead of having to read about it as a part of the irretrievable past, remote as David Garrick's 18th century Hamlet...
RIDE OUT BOY AND SEND IT SOLID. FROM THE GREASY POLACK YOU WILL SOMEDAY ARRIVE AT THE GLOOMY DANE. Tennessee Williams' heartfelt (if politically incorrect) telegram to Marlon Brando, on the opening night of A Streetcar Named Desire 51 years ago, got it right and got it wrong. The young actor, in his first starring role, sent it solid all right--sent it immortally. His performance as Stanley Kowalski, later repeated on film, provided one of our age's emblematic images, the defining portrait of mass man--shrewd, vulgar, ignorant, a rapacious threat to all that is gentle and civilized...
...steer a slim lady around a dance floor. The other man was bulky, brooding, with the artistic mission to break things: codes of behavior, the very notion of "good acting." In their distinct ways--grace vs. power, gentility vs. menace, tux vs. torn T shirt--Fred Astaire and Marlon Brando represented the poles of 20th century popular culture. Astaire gave it class; Brando gave...
...movie about acting, the actors had a great time building elaborate back stories for their characters under the guidance of Weir, known as the Chiropractor for his ability to help actors stretch their craft. Linney's and Emmerich's takes on Meryl and Marlon are so rich that one would like to see alternate versions of the film just to catch up on their ambitions and angst...