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...auteur hag," says his friend director John Waters, and Depp's longtime agent, Tracey Jacobs, agrees. "It all starts with the screenplay," she says, "not the bottom line. Then he chooses directors and actors he likes." Among them--twice, including Depp's upcoming directorial debut, The Brave--is Marlon Brando, another instinctive actor, who almost certainly would have preferred a hide-in-plain-sight career like Depp's to the one he got. Depp, now 33, was lucky. He was given his shot at mainstream studdishness early on and blew it off fast. That was after he scored his first...

Author: /time Magazine | Title: DEPP CHARGE | 3/3/1997 | See Source »

...colleagues and employees often speak about him (one hears a lot of talk about what "George likes" and what "George wants" and how one must go about achieving "George's vision"), a melodramatic visitor might be forgiven for imagining himself as Martin Sheen traveling upriver in search of Marlon Brando in Apocalypse Now (a film, by the way, that Lucas originally developed, and that he intended to direct before ceding it to Francis Coppola...

Author: /time Magazine | Title: CINEMA: THE FORCE IS BACK | 2/10/1997 | See Source »

...Streetcar Named Deafening). But nearly everything else in the production is delicate and understated, starting with Lange's touching and unfussy portrayal of Blanche. Toby Stephens (the son of actress Maggie Smith), an improbably fine-boned actor to be playing Stanley Kowalski, misses the brutishness (and the humor) that Marlon Brando forever stamped on the role. But who needs another Brando imitation? Stephens' Stanley is a credible alternative: a cocky bantamweight, less Brando than Cagney. And if his climactic sexual conquest of Blanche is more like a grapefruit in the face than the shattering of a deluded woman's life...

Author: /time Magazine | Title: THEATER: THE KINDNESS OF FOREIGNERS | 2/3/1997 | See Source »

Perhaps the best thing about being MARLON BRANDO is that no matter what fresh weirdness you engage in, nobody is shocked. So when the giant star suggested to The Island of Dr. Moreau director John Frankenheimer that Dr. Moreau should wear white gunk on his face because the ozone layer had been destroyed, Frankenheimer bought it. After all, he had agreed to take over the problem-plagued movie partly because of Brando. "He's a genius," raves Frankenheimer. "He sees things so clearly." As for Brando's famously mercurial ways (e.g., needing to be fed lines), he says...

Author: /time Magazine | Title: People: Aug. 26, 1996 | 8/26/1996 | See Source »

...play, and the theater world soon caught up. After a disastrous U.S. premiere in Miami, Godot had a respectable Broadway run with E.G. Marshall as Vladimir and Bert Lahr as Estragon. Other beguiling star tandems never quite materialized: Alec Guinness and Ralph Richardson in London; Buster Keaton and Marlon Brando on Broadway. In the '60s, Steve McQueen wanted to star in a Godot film. Beckett declined...

Author: /time Magazine | Title: THEATER: DISPELLING THE GLOOM | 8/26/1996 | See Source »

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