Word: marlon
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Heston, who died April 5 at 84, was unique among Hollywood stars. Of no other actor could you say, He was born to play Moses, Ben-Hur, El Cid, Michelangelo. At the very moment Marlon Brando was freeing film-acting from good manners, Heston proved there was thrilling life in the endangered tradition of speaking well and looking great. And when he wasn't the movies' avatar of antique glory, he was our emissary to the future: the last man on earth in two dystopian science-fiction films, Planet of the Apes and The Omega Man. Heston was the alpha...
...heroic mold. In 1944 he married Lydia, also a Northwestern student, and joined the Army Air Force, serving two years as a radio operator. On Broadway in 1947, he played in Antony and Cleopatra with Katharine Cornell (who, the year before, had done Candida with the young Marlon Brando). He did early TV and soon was in Hollywood...
...Leguizamo and De la Reguera are the film's only Hollywood stars, and they deliver stellar supporting performances. But Brand gets superb portrayals from his Colombian leads: Angelica Blandon as the teen sexpot Reina; and Aldemar Correa, whom Brand calls "the next Gael Garcia Bernal," as her bewildered boyfriend Marlon. Blandon and Correa, who were discovered in Medellin's theater scene, play lower-middle-class kids driven less by economic straits than by a gratuitous belief that even the worst of the U.S. is preferable to the best their own country can give them. Sitting in a dank, cubicle-size...
...lieu of U.S. tourist visas, which post-9/11 are increasingly difficult to get, Reina convinces Marlon - using sexual seduction powers that make Salome seem like a nun - that they should pay a Medellin travel agency, Paraiso Travel, $3,000 for what could be called the illegal alien package. It's a flight to Panama and then a Dantean journey by bus and foot to the U.S., through squalid hotels and scorching deserts - including nightmarish hours hidden by smugglers in a truckload of suffocating, hollowed-out logs. Paraiso Travel's screenwriters, Franco and Juan Rendon, interviewed a number of real...
...Most of Paraiso Travel is set in America, where Reina and Marlon discover that the awful crossing they've just finished was only the beginning of their odyssey, as migrants and as a couple. To the boy, in fact, Reina morphs into a metaphor for America itself: Is she - is it - really worth the trials he's suffering? When the two become separated, his search for her is conflated with the larger question. And perhaps another: Is our immigration dysfunction really worth the human pain it causes migrants and the political pain it causes...