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...been sharing the boy with the mother), the judge postpones the hearing for a month and for that period gives the father permission to take his son to Paris, where he is working. Fadeout, with the mother denying she had anything to do with the adventure. THE CAST: Father-Marlon Brando. Mother-Anna Kashfi. Private Eye-Jay Armes. Christian-Christian Devi Brando...

Author: /time Magazine | Title: People, Mar. 27, 1972 | 3/27/1972 | See Source »

...office appeal of a blockbuster best seller. The charisma of Marlon Brando in one of his finest performances. Warmth, violence, nostalgia and the dynastic sweep of an Italian-American Gone With the Wind. The Godfather, which will be released next week, is a movie that seems to have everything. Canny producers know that when a movie has everything, it needs something more: a sequel. What could the brains at Paramount come up with to match The Godfather? Something to do with the Mafia, something rife with greed, intrigue and passion. For that, they might consider The Making of the Godfather...

Author: /time Magazine | Title: Show Business: The Making of The Godfather | 3/13/1972 | See Source »

...Here is Marlon Brando in a slept-in tweed jacket, sashaying around an Edwardian country estate complete with a genuine tarn (the better to drown you with, my dear!), and carrying on in various ways with a pretty governess and a pair of fresh-faced children borrowed from Henry James. Brando is Peter Quint, the ghostly valet of The Turn of the Screw turned into a gardener. The governess is Miss Jessel (Stephanie Beacham), his haunting paramour. The film's Big Idea is to make precise what James left terrifyingly ambiguous: just how Quint and Jessel died, and what...

Author: /time Magazine | Title: Cinema: The Tarn and the Screw | 3/13/1972 | See Source »

There are, however, two very good reasons for seeing the film: Vivien Leigh and Marlon Brando. After years of watching the sad products of a dissipating career, it is almost shocking to see Brando young again, so intensely attractive and commanding. Casting Vivien Leigh as Blanche is one of those very occasional instances where a film star assumed a stage role and did it more than justice; she is superb. Williams put Blanche through quite a lot--probably too much to be credible--yet Leigh somehow conveys her tired, neurasthenic hopelessness, her mania for illusion. The errors which were made...

Author: By William W. Clinkenbeard, | Title: A Streetcar Named Desire | 2/19/1972 | See Source »

...Streetcar Named Desire. Ol' Ten'see Williams play, put on the screen with Marlon Brando directed by Elia Kazan. Feb. 11, 8:30 p.m., Channel...

Author: NO WRITER ATTRIBUTED | Title: television | 2/10/1972 | See Source »

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