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Certain individual scenes stand out: Gregory Peck's reading of the 23rd psalm in "David and Bathsheba"; the entire first half of "The Well," which showed a race riot being born; the scene in "A Streetcar Named Desire" where Marlon Brando shouts for his wife after he has beaten her; the ballet sequence that provided the finale for "An American in Paris"; Vincent Price and a boatful of Mexican police sinking into the bay with Price standing in the bow--cloak tossed over his shoulders--in "His Kind of Woman"; Alec Guinness descending the subway steps near...

Author: By Laurence D. Savadove, | Title: From the Pit | 1/10/1952 | See Source »

...Streetcar Named Desire. Tennessee Williams' Broadway drama; with Marlon Brando, Vivien Leigh, Kim Hunter (TIME, Sept...

Author: /time Magazine | Title: Cinema: Choice for 1951 | 12/31/1951 | See Source »

Miss Stapleton does an excellent job of conveying the transition back to a sentient life; she is alternately wild and spent, never quite understanding the world around her. The object of her renewed affections is played by Eli Wallach, who is adequate in his clownish impersonation of the Marlon Brando-type lover...

Author: By Joseph P. Lorenz, | Title: The Rose Tattoo | 12/6/1951 | See Source »

...Streetcar Named Desire is as dynamic as the stage production. Vivian Leigh and Marlon Brando reenact the Tennessee Williams story on the Astor screen...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 12/1/1951 | See Source »

...Streetcar Named Desire. An unvarnished adaptation of Tennessee Williams' prizewinning Broadway hit; with Marlon Brando, Vivien Leigh, Kim Hunter (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 26, 1951 | 11/26/1951 | See Source »

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