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...means of transport ever suffered a worse drubbing than the motorcycle? In the 17 years since Stanley Kramer put Marlon Brando astride a Triumph in The Wild One, big bikes and those who ride them have been made into apocalyptic images of aggression and revolt -Greasy Rider on an iron horse with 74-cu.-in. lungs and ape-hanger bars, booming down the freeway to rape John Doe's daughter behind the white clapboard bank: swastikas, burnt rubber, crab lice and filthy denim. It has long been obvious that the bike was heir to the cowboy's horse...

Author: /time Magazine | Title: Time Essay: MYTH OF THE MOTORCYCLE HOG | 2/8/1971 | See Source »

...setting is the fictitious Lesser Antillean island of Queimada (Portuguese for "burn") in the 1830s. Sir William Walker (Marlon Brando) is an adventurer employed by the British Admiralty to foment a revolution in the Portuguese colony. Walker realizes that the island's blacks are too downtrodden to grasp political rebellion, so he invites them to participate in something they can appreciate: a bank robbery. He baits a strapping porter named José Dolores (Evaristo Marquez) to anger, then decides he is the man to lead the black bandits. With Machiavellian guile he hides the bandits in a jungle village...

Author: /time Magazine | Title: Cinema: Overburdened Island | 11/2/1970 | See Source »

...really should care is Gould. His recent string of movies (MASH, Bob & Carol & Ted & Alice, Getting Straight) are all doing booming business, but M-A-S-H is still his only first-rate film. He would do well to study the sagging box-office strength of Marlon Brando and Peter Sellers after too many years of carrying bad movies on good shoulders...

Author: /time Magazine | Title: Cinema: Granny Knot | 8/24/1970 | See Source »

...interesting to see how easy it came to him." What also impressed the group was the kind of music they were now making, though it was still loud and eruptive, like the life they led. "It was like a volcano going off." Most people agreed, including Actor Marlon Brando, who once told them: "The two loudest things I've ever heard are a freight train going by and Bob Dylan and The Band...

Author: /time Magazine | Title: Music: Down to Old Dixie and Back | 1/12/1970 | See Source »

Jack Kerouac's "barbaric yawp" broke into the American consciousness in the middle years of Eisenhower. At roughly the same time, Marlon Brando, adenoidal and inarticulately glowering, careered through adolescent daydreams astride a Harley-Davidson. From the perspective of the late '60s, the old rebellions and spontaneities seem as touchingly quaint as the shock they elicited at the time. Kerouac's vision was compounded of Buddhism, booze (of all bourgeois things) and a chaotic lowlife that he worked into exuberant underground literature. When he wrote of casual sex or marijuana, they were still exotic and forbidden fruits...

Author: /time Magazine | Title: American Notes: End of the Road | 10/31/1969 | See Source »

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