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...John R. Marquand, assistant dean of students, said yesterday he considers a $100 non-refundable deposit preferable to eliminating spring leaves...

Author: By Mark J. Penn, | Title: Whitlock Says Ad Board Will Not end 1974 Spring-Term Leaves of Absence | 12/14/1973 | See Source »

...Paul's kinky sexual predilections and darker rages, the viewer can only speculate whether such correspondences exist at all. But, although the facts may vary, the tone and attitude often ring true. "Forty years of Brando's life experiences went into the film," says his friend Christian Marquand, the French actor. "It is Brando talking about himself, being himself. His relations with his mother, father, children, lovers, friends-all come out in his performance as Paul...

Author: /time Magazine | Title: Self-Portrait of an Angel and Monster | 1/22/1973 | See Source »

...After Marquand had driven his wife to the train station that Saturday in 1943, he drove back to the Kaufmans'. For awhile the two collaborators stood silently on the front porch, until Kaufman finally said, "John, why do you associate yourself with people like the Lindberghs?" Marquand thought a moment and replied, "George you've got to remember all heroes are horses' asses." Marquand makes fun of Apley's inhibitions and his struggle to fit the grip of Boston tradition and his struggle to fit the grip of Boston tradition and not betray it. Yet all his life Marquand sought...

Author: By Whit Stillman, | Title: Paying the Price in Posterity | 11/1/1972 | See Source »

...hard time shaking. While as a fictioneer he likes to wallow in romance, as a social commentator he writes an analysis of Harvard club life which is the sort of hogwash upon which climbers thrive. But just because this isn't the sort of biography that will endear Marquand to posterity doesn't mean that it isn't entertaining...

Author: By Whit Stillman, | Title: Paying the Price in Posterity | 11/1/1972 | See Source »

...MARQUAND completed his first "serious" novel, The Late George Apley, the curious masterpiece that has made critical appreciation of his work so difficult. The book is in the form of one of the posthumously written "memorials," privately printed, that were in vogue in the early part of the century. Horatio Willing, one of Apley's oldest friends and a clubmate at Harvard, writes a commentary on a chronology of letters written to and by George Apley. Through Willing's amusing pomposity and old Boston's strange attitudes, Marquand filters a story that is unexpectedly but tremendously moving. When Apley...

Author: By Whit Stillman, | Title: Paying the Price in Posterity | 11/1/1972 | See Source »

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