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...want to entertain themselves. They have enough personality to know they are not losers if their contact list doesn't beat all the records. MySpace and Facebook are part of a humanizing revolution of communication in a society that has already lost its traditional sense of community. Chloé Marquet, PARIS...

Author: /time Magazine | Title: Leadership vs. Loyalty | 12/5/2007 | See Source »

...while artificial light bouncing off the ice creates the effect of fairy dust across the canvas. Not a huge fan of the Pointillists, Senn nevertheless acquired a glistening Beach of the Vignasse by Henri-Edmond Cross. He largely neglected the Fauves, except for a few Paris scenes by Albert Marquet and one lively painting by André Derain, Bougival, that Senn's father-in-law called the "most daft and most ugly" thing the younger man had ever bought. As for Henri Matisse, there are only two of his pieces in the show. One is an early work, Still Life...

Author: /time Magazine | Title: When Collecting Is a Fine Art | 5/22/2005 | See Source »

Ballard's obsession with the lost ship had begun decades ago, as a kind of intellectual hobby. "If something's been written about the Titanic, he's read it," says fellow Marine Scientist William Marquet. "He knows her, inside and out." That curiosity received a boost three years ago when the Navy decided to finance the development of a sophisticated submersible photographic vessel, christened Argo (see box). It was Ballard who suggested that the Argo's maiden task be to seek the Titanic. Knorr set sail three months ago, the compact submersible on board; after performing routine explorations...

Author: /time Magazine | Title: Science: After 73 Years, A Titanic FIND | 9/16/1985 | See Source »

These are the same people who came out 10,000 strong to great the squad at the airport after it lost to Marquet'e a few years back. These are the same people who have packed Carmichael Auditorium ("Blue Heaven") to capacity every home game for the past umpteen years...

Author: By Bruce Schoenfeld, | Title: Nothing Would Be Finer | 3/30/1981 | See Source »

...specifically American motifs. By no stretch of the imagination could Hopper be called an avant-gardist. Not a canvas in the Whitney's show suggests the influence of cubism, let alone abstract art, although one might be able to detect some remote Fauve echo-perhaps through Albert Marquet, whose work he saw in Paris-in Hopper's fondness for relieving a low-toned background with a sudden distant poke of primary color: a coat, a flag or the red side of a brick chimney...

Author: /time Magazine | Title: Art: The Realist at the Frontiers | 10/6/1980 | See Source »

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