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Just last week WYNTON MARSALIS, musician, composer and keeper of the flame of jazz tradition, was awarded the Pulitzer Prize for Blood on the Fields, a three-hour, 22-movement oratorio for orchestra, ensemble and vocalists. It was the first jazz-based composition to win the Pulitzer since music was...

Author: /time Magazine | Title: WHAT EVER HAPPENED TO THE CLASS OF 1996? | 4/21/1997 | See Source »

NEW YORK CITY: The bloody aftermath of the Taliban coup in Afghanistan, AIDS and the devastating damage done to world fishing supplies by ecological problems were among the topics that inspired Pulitzer Prize-winning stories this year. The big winner in the 81st annual Pulitzer Prize competition is the Times...

Author: /time Magazine | Title: Pulitzer Prizes Awarded | 4/7/1997 | See Source »

Reading jazz pianist Keith Jarrett's comments in this week's New York Times Magazine gave me the willies. He was talking about jazz that lacked soul, but all I could think of was Harvard. On the face of it, Jarrett, a '70s jazz superstar turned classical recording artist, was...

Author: By Noah I. Dauber, | Title: Keith Jarrett and the True You | 2/11/1997 | See Source »

"You can't learn to imitate everyone else without a real deficit," Jarrett warns. "I've never heard anything Wynton [Marsalis] played sound like it meant anything at all. Wynton has no voice and no presence. His music sounds like a talented high-school trumpet player to me."

Author: By Noah I. Dauber, | Title: Keith Jarrett and the True You | 2/11/1997 | See Source »

Jarrett trips up here by choosing to pick on Marsalis, a well-respected professional. Moreover, Marsalis' records are convincing in the way that Jarrett swears they are not. "Soul Gestures in a Southern Blue," for instance, is remarkable notably for the intensity of feeling it inspires.

Author: By Noah I. Dauber, | Title: Keith Jarrett and the True You | 2/11/1997 | See Source »

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