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He entered New York City's elite Juilliard School the following year and immediately began sitting in with bands at local jazz clubs. Pianist James Williams, 38, recalls the time that Marsalis, sporting an Afro and long sideburns, showed up at McHale's and sat in with drummer Art Blakey...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

But the young man still had a lot to learn. Stanley Crouch, a New York City- based writer and jazz critic, befriended Marsalis shortly after he joined Blakey's group, and was astounded at how little he knew about jazz history. "He didn't know anything about Ornette Coleman, Duke...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Crouch set to work on Marsalis' jazz education, lending him records, taking him to clubs and engaging him in all-night gab sessions. He also introduced the young trumpeter to writer Albert Murray, whose 1976 book, Stomping the Blues, was a seminal work on African-American music. Murray, now 74...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

^ Columbia's George Butler first heard Marsalis with the Blakey band while scouting New York City jazz clubs for young talent. "Here was an 18-year-old playing with the maturity and facility of men twice his age," he says. "He was the ideal person to appeal to a young...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Butler also claims some credit for the clean-cut image that set the trumpeter apart from scruffy rockers and fusionists. Back in his Jazz Messengers days, Marsalis would go onstage in tennis shoes and overalls. "But once we started to talk about appearance," says Butler, "Wynton began to epitomize what...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

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