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Good thing Marsalis is not competitive. Otherwise, God help the competition. From the time he first appeared on a public concert stage with the New Orleans Philharmonic at age 14, Marsalis has been blowing away would-be rivals and leaving music professionals flap-jawed at his technical virtuosity. In 1984...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

But the most significant thing about Marsalis' career is not his personal success. It is the fact that, largely under his influence, a jazz renaissance is flowering on what was once barren soil. Straight-ahead jazz music almost died in the 1970s as record companies embraced the electronically enhanced jazz...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Among these budding stars are trumpeters Terence Blanchard, 28, Roy Hargrove, 21, Philip Harper, 24, and Marlon Jordan, 20; pianists Marcus Roberts, 26, Geoff Keezer, 19, and Benny Green, 27; saxophonists Branford Marsalis, 30, Christopher Hollyday, 20, and Vincent Herring, 25; guitarists Mark Whitfield, 24, and Howard Alden, 31; drummer...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

What all of these musicians have in common is that, almost to a man, they are passing through career doors that were opened by the success of Wynton Marsalis. "Young men can now make a living playing straight-ahead jazz, and Wynton is responsible for that being possible," says Dan...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Butler has been on the cutting edge of the new jazz age. But with Marsalis' success, other major labels have joined what amounts to a feeding frenzy on young talent. Although they had virtually abandoned straight-ahead jazz by the early '80s, most major record companies have now established active...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

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