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Word: marsden (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...artist who wrote this "to an imaginary friend" in 1936 might have been writing to his solitary self, for enthusiasm has never approached the leprous about Marsden Hartley. A steadfast New England eccentric, whose writings and paintings made sense first to Alfred Stieglitz in 1909, Artist Hartley sits in Maine apainting in the summer and in a Manhattan room ascribbling in the winter, with no public attention what ever. Last week at 61, weathered, heavyset, bright-eyed Marsden Hartley had his 25th one-man show at the Hudson D. Walk er Gallery and made something...

Author: /time Magazine | Title: Art: Hartley's Figures | 3/20/1939 | See Source »

...JUDITH MARSDEN...

Author: /time Magazine | Title: Letters, Nov. 14, 1938 | 11/14/1938 | See Source »

...order to keep his creative faculties unsullied by routine, Weaver leaves management of his cluttered office to two young assistants-La Verne N. Laseau and A. Marsden Thompson. Rather a diligent extrovert in his writings, he assumes such pen-names as Fargan Hathway, makes a point of quoting Baltasar y Morales Gracián, a 17th Century Spanish Jesuit. Buck Weaver's screwiest activities are occasional booklets he prints at his own expense. He justifies them as outlets for his inhibitions, as surface rashes on his emotional ego. Sample paragraph based on Olive Schreiner story of the "Hunter...

Author: /time Magazine | Title: MOTORS: Thought-Starter | 11/14/1938 | See Source »

...played, adroitly-directed story, as like to Gone With the Wind as chicory is to coffee. After some badly-drawled atmosphere-setting about the propriety of mentioning a lady's name in a barroom, audiences knew that the girl to be reckoned with would be high-stepping Julie Marsden (Bette Davis), who had turned down a horse-&-hounds aristocrat named Buck Cantrell (George Brent) for one Preston Dillard (Henry Fonda...

Author: /time Magazine | Title: Cinema: Popeye the Magnificent | 3/28/1938 | See Source »

...Countess de Lage (Margaret Douglass). The Countess has married three fortune-hunters and a Reno cowhand, and she still puts her faith in "l'Amour." Mary Haines, hoping until the last that her husband will call her back, succeeds in sending home the youngest of the Women (Adrienne Marsden) without a divorce. Mary herself is doomed to two bitter years as a divorcee before her chance comes in a laudably natural denouement to turn the tables on the second Mrs. Haines and get back her man, this time for keeps...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Jan. 4, 1937 | 1/4/1937 | See Source »

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