Word: marsden
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Dates: during 1990-1999
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...other paintings in his career show the same fine play between aesthetic intent and illusionism. Usually it's the eye-fooling that wins. The comment of a great American Modernist, Marsden Hartley, is cited by one essayist: "In Harnett there is nothing to bother about, nothing to confuse, nothing to $ interpret . . . there is the myopic persistence to render every single thing singly." The catalog protests this, pointing to the stories that underlie the conglomerations of things in his still lifes, which do indeed provide something to interpret. But was this what Hartley meant? In fact, no. He saw what...
...Jane has a sharp edge. She's not afraid to step on some toes," boasts Jason C. Marsden '94 of the Adams House checker...
Other professors echoed Sorensen's remarks. "I was shocked," said Professor of Sociology Peter V. Marsden. "Jim Davis and I are good friends...
...others -- made sure that Ryder was the only American to share its central galleries with the new European masters: Matisse, Gauguin, Cezanne, Van Gogh. "There's only Ryder in American painting," remarked Kuhn. "No artist ever used more of the vital energies of the imagination than Ryder," wrote Marsden Hartley in 1936, "and no one was ever truer to his experience . . . One finds his elements so perfectly true that even the moon herself must recognize them if she had time to look." For Jackson Pollock, in 1944, "the only American master who interests me is Ryder." From Andrew Wyeth...
...junior professors were chosen from an applicant pool of about 150 young sociologists, Marsden said, adding that although it is somewhat unusual to hire five scho- lars in one year, the committee had been unableto make any appointments during the previousacademic year...