Word: marsh
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...being a populist, marrying the mythic dimensions of major celebrity to the kind of moral and social responsibility seldom found bobbing in the musical mainstream. "He's closer to his public image than any of the other rock stars I've known," says his friend and biographer Dave Marsh. "It's hard to accept, but the guy is all there in his music." Backstage at a concert, the atmosphere is a little more restrictive, less familial than in times past, but Springsteen, off the road, is still the superstar who will tag along home on the spur of the moment...
Cover: Illustration by James Marsh...
...that her body is enduring are starting to affect Rusch's mind. "You start hallucinating and falling asleep while on the bike," she says. "I've had vitamins in my hand and had them all turn into squirming bugs. In New Zealand one time, we were walking through a marsh in the middle of the night, and I saw a Vietnamese woman selling fruit at a little stand. I asked a teammate for some money to buy mangoes as I started to change course and walk toward the stand. My teammate just grabbed my arm and pulled me back. There...
...their abandoned sons. The need for parental closure drove the characters played by Bill Murray in Jim Jarmusch's Broken Flowers (which took the runner-up Grand Prix), Sam Shepard in Wim Wenders' Don't Come Knocking, and William Hurt in James Marsh's The King. A similar theme, of past sins haunting and tainting the present, was the preoccupation of several other biggies: ancient murders in David Cronenberg's A History of Violence, boyhood betrayal in Michael Haneke's Hidden, slavery in the American South in Lars Von Trier's Manderlay. The Grand Palais screen was streaked with guilty...
...quiet Midwestern family man (Viggo Mortsensen) is accused by some visiting gangsters of having been a hit man in Philly. In Jarmusch's Broken Flowers, a retired computer mogul (Bill Murray) learns that 20 years ago he fathered a child who is now trying to find him. In Marsh's The King, a preacher (William Hurt) who a generation earlier fathered and abandoned a child out of wedlock must pay for his age-old sin when the son (Gael Garcia Bernal) shows up. And in Von Trier's Manderlay, set in Alabama in the 1930s, an idealistic young woman (Bruce...